Mix stunning aerial pageantry from the best Cirque du Soleil shows with up close stereoscopic 3D camera work produced by legendary filmmaker James Cameron (Avatar, Titanic) and directed by Andew Adamson (Shrek), throw in a love story and wrap it all together with CG transitions and you have Cirque du Soleil: Worlds Away, which is now available on Blu-ray and Blu-ray 3D. 

The Pimp’s Super Fantastic Lollipops Guide to Festival Submissions (a.k.a. The Uncertainty Principle)

1. Literacy is Important

Read the FAQS page. Festival staff frequently receive questions that are answered word for word on the FAQ page.

2. Little is not big

A five-minute film does not a feature film make.

3. I love Coldplay. Yay!

Making a film and slapping on the latest Radiohead or B. Hamilton song does not mean it’s a music video. See, if ya read it, Music video means commissioned…that means that the band asked you to make a video for them. It does not mean making a bad mix of your favourite dinky song and just randomly putting it on your film

The exhibition opened today and, as expected, the show is small but quaint -- similar to San Antonio a few years back. Nothing wrong with that: it's manageable and in keeping with the New Orleans flavor. While the number of exhibitors is smaller than usual, it's a nice mix. You can traverse the floor in about half-an-hour. And there are plenty of students flocking the job fair, which is where most of the action is -- and rightly so, considering the job market. In fact, a few of the large studios such as Lucasfilm and Sony Pictures Imageworks, opted to have a presence solely at the job fair.

Jean-Pierre Jeunet makes films full of whimsy and imagination. Most will remember Audrey Tautou as the irresistible waif in his modern classic AMELIE. Jeunet takes the same wide-eyed innocence and mischievousness of that film and mixes in a little HUDSUCKER PROXY and YOJIMBO and comes out with a delightful satire with boundless originality.

When Bazil (Dany Boon, JOYEUX NOEL) was young, his father was killed by a landmine. The tragic event drove his mother mad. As an adult, he takes a job at a movie rental store where one fateful night he is a victim of a random accidental shooting. Luckily, he survives with the bullet still lodged in his head. Unluckily, he loses his job and end out on the streets where he begins performing for pocket change.

In my review for SHREK THE THIRD, I said, "[it] doesn’t walk the edge like the other films, but there are still enough flares of that same good ol’ SHREK that you remember why you were friends in the first place." Three years later those flares have completely burned out. This "what if Shrek were never born" fantasy is the kind of desperate plot that tired sitcoms resort to.

Shrek (Mike Myers, AUSTIN POWERS) has given up his kingdom to settle down in the swamp with Fiona (Cameron Diaz, BEING JOHN MALKOVICH) and the kids. The only problem is his repetitive and safe domestic life doesn't sit well with the ogre who can no longer scare a child. So when Rumpelstiltskin (Watt Dohrn) makes Shrek a deal to trade one day from his childhood for one more day as a real ogre, the big green dummy signs on the dotted line.

The just released DVD set of Tim Burton’s Frankenweenie should be afforded a spot in the collection of any animation fan as well as any serious student of the medium.  Packaged in several different editions, including a 4-Disc Blu-ray Combo Pack  (Blu-ray 3D + Blu-ray + DVD + Digital Copy), the film and accompanying supporting materials are absolutely radiant – tremendous picture quality and high supplemental material production values make for a great viewer experience. 

 

Tomorrow is the final day for the unique CG short film animation training project created by Czech animation education group Anomalia and taught by Arconyx Animation Studio head Kenny Roy. The two week project was part of a summer marathon of animation courses at Anomalia, all taught by experts from top world studios such as Pixar, Valve and Aardman Animations.

David Cronenberg is not director shy in exploring the strangeness of sexuality. So it seems obvious that he would tackle psychoanalysis pioneers Carl Jung and Sigmund Freud. Based on Christopher Hampton's screenplay adaptation of John Kerr's book, the conflict between Freud and Jung centers around their relationship with patient / future psychoanalyst Sabina Spielrein, who will challenge their thoughts on repression.

Jung (Michael Fassbender, X-MEN: FIRST CLASS) has decided to try talk-therapy for the first time on his new patient Spielrein (Keira Knightley, PRIDE & PREJUDICE). The young woman is suffering from violent seizures, driven by years of abuse from her father and the repression of her sexual desire associated with being humiliated. Jung counsels her and encourages her to find the source of her problems and in confronting them cure herself. Jung uses the case as a way to meet his idol Freud (Viggo Mortensen, A HISTORY OF VIOLENCE), who disagrees that any analyst can cure a patient.

Watch It On AWN TV!

At the ILM Q&A, director Josh Raskin explains where I Met the Walrus’ interview with John Lennon originated from.

Day 2 of the animation competition kicked off at 9am with a loud drumbeat and Afro Brazilian performers. The sound drew a large crowd in to watch the performances. The animation teams had worked through the night on their films so the very lively dancers lent some much needed energy to the competitors.