Here is the latest on FUNimation titles currently being streamed.

 

 

In a frightening vision of the future, man’s quest for immortality has yielded an unfortunate accident: the N5S virus. Not only does this contagion transmute humans into drone-like zombies, but the corporation responsible for the virus, the Data Recovery Foundation, has proclaimed itself the new world government and seeks to infect all humans. In their tyrannical scheme, they see this monstrous change as a purification of the human race. And for those few humans whose natural biology is adapting the virus, the company is out to get them!

 

 

The J-Pop/J-Rock presence at the Los Angeles Anime Expo continues to grow. Yes, Mano Erina will be attending the world premiere screening of her first film Kai-Ki: Tales of Terror from Tokyo. She will also be performing.

 

Every being strives after pleasure, and it is in pleasure that happiness consists.

-- Epicurus

There's a party in my tummy!

(So yummy! So yummy!)

Carrots in my tummy!

(Party-Party!)

-- Brobee the green monster

I see a lot of TV animation for kids. Sounds pretty enviable, doesn’t it? Well, it is when you stumble upon godsends like the shows Yo Gabba Gabba or Jack’s Big Music Show (okay, Jack is only animation in spirit).  Otherwise, it’s a pretty hellish experience being forced to hear god-awful music and watch screaming adult-voiced kids, bad animation, idiotic storylines, and annoying dialogue, writing, and plots that read like they’re were made by a factory of Ned Flanders clones. Trifles, “that are nothing at all, yet a nothing that’s everything.”  They lack an “overflowing abundance, that je ne sais quoi which might even be the soul.”

I was off to an early start this morning – the good news being the hearty breakfast I wolfed down when I learned more about Adobe’s new Director 11.5 release. Dr. Allen Patridge of Adobe ran the presentation, and he went over some of the things users can expect from the new Director software. He approached this from three angles: Dominate, Accelerate, and Impress.”

Finally I understood I am not indestructible so I have to decide to focus myself on highlights and to give the essence of the moment. This is how I proceeded to write this Day 3 Report for VIEW Conference 2009, in Turin.

Michael Giacchino, great anchorman, entertained us with the Italian Wedding Party he ended up without being aware of it. People dancing, drinking and singing. He is an American soundtrack composer who has composed scores for movies, television series and video games.

During his workshop he shared an avalanche of background tips and techniques on his work. For instance: Michael writes the score for a scene very quickly, even in a day. Because he gets to see the entire movie before its completed and he can map each shot and satisfy the requirements.

Here is a nice design advice, which I find very useful in many other fields, Giacchino approaches a soundtrack writing job with this question: whats my feeling for this film if I have to reduce it to one chord? It is really a great way to distill the essence of a project.

While the Maestro drives the audience with questions and answers like if they were instrument players, frames of his films went on the big screen: Mission Impossible III, UP, Star Trek. I could feel the mood being created in the hall thanks to the music playing. He is right, some movies should have only music and no dialogues...

Because, also true, as he said, if the music is working well you are not conscious of it.

So here I am, curled up with a real printed version of the Ottawa International Animation Festival schedule, which I picked up at a local grocery store.

And a red marker.

One more page, last page. It's a handy-dandy candy pink, blue and green, colour coordinated idiot proof festival schedule with all the dates and times.

I can see that half of my choices conflict with each other.

I'll sign off now while I make extreme choices and chop dream screenings.

 

 

By Nancy Phelps

The 2011 Annecy International Animation Festival was so full of films, business, friends, special events, and parties this year that it was impossible to do and see everything.   The first screening at the festival on Monday morning was The Big Sleep, a tribute to animators who passed away since last year’s festival, which was a very appropriate way to begin a week of films.

It was a treat to see work by renowned Japanese director Satoshi Kon (1963-2010) on the big screen, even under such sad circumstances.  His unique style of directing and the complex psychology of his characters were evident in such classics as the 2006 Paprika, Millennium Actress (2001), and Tokyo Grandfather (2003).

The passing of Gael Brisou (1971-2010) was a great loss for Folimage Studio.  His gift for color was exemplified in his 2005 film Sucre with its extremely sensual, dreamlike qualities.  His gift for working with color added a special luster to the backgrounds of such films as Jacques Remy Girard’s Raining Cats and Dogs and Jean-Loup Felicioli and Alain Gagnol’s current success Une vie de chat (The life of a Cat,) as well as numerous short films.

By Nancy Phelps

In Ukrainian, KROK means “step”, but to animators, KROK means watching animation, making music, dancing and meeting friends, both old and new.  For me KROK is summer camp for animators and the best ten days of my life every year.

The festival is unique.  Each year an international group of animators boards a multi-decked river cruiser and spends 10 days sailing together.  Every other year, the festival location alternates between the Ukraine, which programs professional films (third film and later), and Russia where the films are student works. This year we sailed down the Dnepr River and across the Black Sea on the ship Princesa Dnepr from Kiev to Odessa in the Ukraine.

 

By Dan Sarto

Since I’m finding time so scarce this week, I have not yet finished any of my formal write-ups.  So for now, I'm posting some initial images from the first couple days of the festival.  I apologize in advance if I don’t name everyone, or if I messup a name.  My memory has been dulled by too much cheese.