Don Hahn (l to r), Roger Allers, Ron Diamond, Mike Thurmeier and Marcy Page talking about their films at PDI/DreamWorks. © AWN Inc.

Thursday was an absolute whirlwind day on the tour. I couldn’t possibly write everything interesting that was said during the course of the day. So I’m going to set out to recap the day in full, but tease you with details to come later.

written by Rick DeMott

The L.A. leg of the Oscar Tour kicked off at the Sony lot. For the first time in the tour's history the participants, who include The Lady and the Reaper's director Javier Recio Gracia, producer Raul Garcia, and exec producer Enrique Posner, and Granny O'Grimm's Sleeping Beauty's director Nicky Phelan and producer Darragh O'Connell, received a tour of the legendary MGM Studios.

Stops included the Thalberg Building where the studio showcases its Best Picture Oscars, as well as the offices of Sony's top execs including Amy Pascal. For the game show fans out there, the nominees got a chance to see the sets of Jeopardy and Wheel of Fortune. The legendary Stage 30 was being used as a commissary for Adam Sandler's new film, The Pretend Wife. But most of the time, the stage is known for housing the largest water tank where films such as The Curious Case of Benjamin Button were filmed. The nominees were treated to the stages were Wizard of Oz and Married with Children were filmed, and there was some debate with our tour guide Tony on whether Oz is the most beloved movie in America or not. Along our walk through the backlot, we had the chance to see the art department building a New York city street set for the upcoming film Burlesque.

written by Rick DeMott

The Los Angeles leg of the tour picked up on Tuesday, Feb. 22 at Sony. Jakob Schuh and Max Lang were back for the second round; while Bastien Dubois, the director of Madagascar, Carnet de Voyage, his producer Ron Dyens, and Michael Rose and Martin Pope, the producers of The Gruffalo, joined them for the first time.

The day began with a guided tour of the studio lot. The nominees had a chance to see the 12 Oscars the studio has won over the years, as well as the backlot and stage for Wheel of Fortune (which was less impressive to the European crowd.) On one of the soundstages, we saw a crew diligently constructing a sewer pipe set for a secret project filming pyrotechnics later in the week.

Pictorial by Dan Sarto

Paramount Studios is one of the oldest and most venerable of the big Hollywood studios.  Founded in 1912, the studio has been home to some of the greatest films in movie history, including The Godfather franchise, The Ten Commandments and Read Window.  While the studio has been distributing animated films for some time through its relationship with DreamWorks, only announced last July it announced it was getting back into the animation production business.  Our group spent the entire day on the lot and were not disappointed.

 

By Dan Sarto

Our day concluded with a tour of the Fox lot and a screening for Fox Feature Animation and the crew of The Simpsons.  Like the Sony and Paramount lots, the Fox lot is steeped in movie legendry.  Used almost exclusively these days for TV production on shows broadcast seemingly on every network, the lot includes stages used for shows like Bones. Glee and How I Met Your Mother.  Home to the worldwide headquarters of Rupert Murdoch’s News Corp, the lot also houses facilities used for Fox’s NFL broadcasts.

We did a fast walk past a number of enormous sound stages, as well as snaking in and out of a number of buildings within the famous New York City building facades used in practically every show and commercial known to man.  We also managed to get a fast glimpse at The Simpsons production offices, complete with a cool Bart Simpson topiary and statue of a hand holding a donut that decorate the front yard.

Soon it was time to join the screening for Q&A.  The theatre was packed and included many of David Silverman’s co-workers on The Simpsons as well as his nominated short. After Ron introduced the filmmakers once again, Al Jean, one of the producers of Maggie Simpson and “The Longest Daycare” was dragged down to the front of the stage to answer questions as well.

It’s a neat trick for a small Irish studio to snag an Oscar nomination for Best Animated Feature and go head to head with Pixar, Disney, Henry Selick and Wes Anderson, not to mention beat out Hayao Miyazaki’s Ponyo for a slot.

It’s even more impressive when it’s the first time you’ve directed anything longer than a few commercials or TV segments. But that’s what Tomm Moore of Ireland’s Cartoon Saloon has done with Secret of the Kells - and on a budget that’s probably less than what any of the other films spent promoting themselves.

The New York Museum of Comic and Cartoon Art’s Education program rolls on, ably overseen by the museum’s Senior VP of Education, Danny Fingeroth. Fingeroth’s impressive credits include a lengthy stint as group editor of Marvel’s Spider-Man books, college-level comics instructor and author, co-author and editor of various books and magazines on the subject of writing for comics. As part of his job Fingeroth rounds up pros at the level of Peter Kuper, Larry Hama, Paul Levitz and J.M. DeMatteis to share their knowledge and experience with aspiring comics creators.

As befitting the second ‘C' in MoCCA, cartoon courses are part of the curriculum too, like last year’s storyboarding class taught by Stephen DeStefano, or this past March’s “Animation Writing: How to Write Scripts that will Make You a Key Member of the Creative Team,” led by David Steven Cohen.

What happens when you mix an Incubator Studio project with first time animation students? The answer is- you never, ever, ever know.

As we move into 2011, I wanted to display some images, mostly drawings from last year.

DesignStorm Animation Studio has technical and creative capacity and capabilities to produce new generations of 3D animated TV series, feature animated films, and direct-to-video animated films. Our objective is to combine proprietary technology and world-class creative talent to develop 3D animated products with fascinating characters and stories that may appeal to global audiences of all ages.