Ever have a friend, like back in college say, who was just the funniest guy you knew? Always coming up with great jokes completely out of left field, or riffing on whatever was happening at the moment? You graduate and go your separate ways, then six years later you meet up again. You can’t help but notice he dresses a lot better than he did in school. He still tells jokes, only now a lot of them are what he heard last night on Leno, or he’s quoting the catchphrase of the moment. It was fun seeing him again, but it’s not the reunion you were hoping for, the one that would recapture those great moments back in school.

That’s how I felt walking out of Hoodwinked Too!: Hood vs. Evil.

Bringing Elemental Magic to China -After flying to Philadelphia to conduct my ‘Elemental Magic’ workshop at the University of Pennsylvania’s PennDesign department, I flew back through Toronto, and then over the North Pole to Beijing and then Harbin, in Northern China, where I then conducted my workshop yet again, this time for a group of over 40 Chinese students, with extremely varying levels of English speaking skills.

 

Special Guest:   Joel Frenzer

This episode 15 of the Frenzer Foreman Animation Forum will shock and anesthetize your extra cognition of the outer workings of the inner minutia of the broad specifics of animation.  Alan Foreman straps the very Joel Frenzer into the special guest hot-seat to scour the depths of his animation teaching philosophy, artistic process, and his thoughts on his thoughts.  The easiest to book and most self-reverential episode in the FFAF archive to date!

Munwha Broadcasting Corporation (MBC) is a public organization, and corporation which operates on the basis of advertising revenue. Korean audiences have always rated MBC as the best broadcaster in Korea, especially in terms of credibility, popularity, audience ratings, and influence.

Director Francis Lawrence (I AM LEGEND) and writer Richard LaGravenese (THE FISHER KING) do a rare cinematic achievement when having a book as the source material — they make the story better. They made all the right choices in what to cut, keep and change. The changes make the film more dramatic, but not in a maudlin way. Everything that happens is more immediate. The Depression-era setting only reminds us of the melodramas of that age, which this film fits in with surprisingly well.

Jacob (Robert Pattinson, TWILIGHT) was taking his last final in veterinary sciences at Cornell when he gets word that his parents have died in a car accident. They had mortgaged their house and business to pay for his education, so the bank takes everything. Now orphaned, he decides to jump a train. Luckily, he ends up on a circus train in the car of Camel (Jim Norton, STRAW DOGS), a friendly, drunk roustabout who helps him get work. When it’s found that he is an Ivy League vet, he is taken before the boss, August (Christoph Waltz, INGLOURIOUS BASTERDS), an intimidating man who isn’t unfamiliar with violence as a way of making people do what he wants.

TOY STORY's story is not over. Pixar has decided to extend the franchise in a series of shorts, this one being the first. Woody and the gang are preparing for some R&R as their new owner Bonnie is headed off on a Hawaiian family vacation over the winter break. Stowed away in the little girl's backpack are Ken and Barbie, who are extremely disappointed when they discover they're at Bonnie's house and not a luau on the beach. So in order to rescue the couple's first vacation together, the rest of the toys team up to bring paradise to a preschooler's bedroom.

Director Gary Rydstrom, who received an Oscar nod for his hilarious Pixar short LIFTED, brings his great timing to this film as well. While his other short relied on pitch perfect physical comedy, he brings the same sensibility to this talkier piece. Even though the script for this short has a lot more dialogue, the jokes are many sight gags. He knows exactly how to lay the joke out to maximize the laugh. Even when a joke is expected, he knows how to give it a twist in order to elicit a chuckle.

None of the Pixar shorts based on their features have been as good as their classics like GERI'S GAME or PRESTO, but this is the best of them. In addition to being funny, it also has a nicely contained story, instead just being a series of gags like MIKE'S NEW CAR or JACK-JACK ATTACK. But then the others were not based on TOY STORY nor did they have Pixar's sweet, innocent and retro take on Mattel's toy icons Barbie and Ken. What a sweet couple. Will they ever kiss?

Happy animation week, dear fellow animators. I'm reporting live from the Annecy animation festival, which openned Yesterday.

Here are the latest anime titles soon to be released by FUNimation.

 

Word coming from the Bay Area is that the Totoro Forest Project auction at Pixar was a stellar success. The world's top film animators, comic book artists and illustrators came together after creating original works of art inspired by the iconic animated film My Neighbor Totoro for an auction to benefit the Totoro No Furusato (Totoro's Homeland) National Fund – also known as the Totoro Forest Fund on September 6, 2008, at Pixar Animation Studios in Emeryville, CA. The Totoro Forest Fund is dedicated to preserving Sayama Forest, a large park outside Tokyo that inspired the beloved film by respected Japanese movie director Hayao Miyazaki. AWN is proud to present some of the exclusive pics from the event to share with you.