For the past 2 years, Bill Plympton has had a team of interns busy restoring Winsor McCay’s last short film, The Flying House.  As work has progressed, Matthew Modine came onto the project as a producer and with assistance from business partner Adam Rakoff, has launched an online fundraising effort through Kickstarter.com.  Find out more about Winsor McCay, his career, the restoration of the film and how you can get involved.

Sony Picture Home Entertainment has just released on Blu-ray 3D, DVD and DVD, The Pirates! Band of Misfits, the latest film from those masters of zany stop-motion comedy and cheeky Brit humor, Aardman Animations. The transfer looks great and the animation is superb.  Though the film didn’t catch fire at the international box-office, don’t let that deter you.  The film is one of the few family movies that is enjoyable for youngsters with enough adult humor to keep the geezers happy as well.  The various DVD sets include numerous extras for hours and hours of “aarguably” the greatest set of stop-motion pirate movie festivities of all time.

 

 

By Nancy Phelps

If you have ever watched an animated film and wondered “How did they do that?” then Tobias Wengert’s  ANIMATORS how did they do that? is the book for you.  Wengert has transcribed in print his conversations with twelve diverse members of the Stuttgart, Germany animation community who reveal the secret techniques behind the magical images they create.

 

 

By Nancy Phelps

Estonian animation director and educator Ulo Pikkov has accomplished a remarkable feat in producing a most readable book on animation theory.  For those who do not know about the technical side of animation Animasophy – Theoretical Writings On The Animated Film is a great place to start.  Readers who are already well versed in animation techniques will be reminded about what they already know but don’t always think about.

 

 

Recently, I had an opportunity to talk to Daisuke “Dice” Tsutsumi, whom many of you know as a driving force behind the Totoro Forest Project and most recently, the Sketchtravel charity art project.  An accomplished artist who spends his days applying his formidable skills as an art director at Pixar Animation Studios, Dice gave me an inside look at the unprecedented Sketchtravel sketch book, a historic collection of sketches being auctioned off this coming October 17^th.

 

 

Frank Gladstone shot me a note about a short animated cg film called Mila being made by former Disney, DreamWorks and Imageworks animator Cinzia Angelini. Hoping to push the boundaries of non-photorealistic rendering to create a painterly aesthetic and character design, Cinzia is also striving to tell a socially relevant story about war’s most tragic collateral damage – the youngest civilians. The film is inspired by true stories that Cinzia’s mother and grandmother told her of their own lives in Italy during World War II. 

 

 

Noted animation producer / director / technologist / multimedia guru / man of international mystery Christopher Panzner has launched a brand new bi-yearly digital magazine, LHOOQ (pronounced “Look”), a pluridisciplinary (pronounced “double-you tee eff”) look at mindstyle, lifestyle, arts, literature, anything, everything.  The first issue includes a great piece spotlighting three well-known Canadian (pronounced “Kun-ay-dee-yan”) animation-type folks, none other than Mike Fallows, Chris Robinson and L. Elliot Taylor

 

 

By Brian Taylor

The World Solar Challenge is a 3,000 kilometer race across the Australian outback. That’s 3,000 kilometers of scrubland and blistering sunlight -- the kind of environment that’s not particularly welcoming to humans or technology, unless that technology happens to be solar-powered.

In late October 2011, for the eleventh race since 1987, a group of solar-powered cars designed by groups from around the world attempted to cross the continent, from Darwin to Adelaide, on solar power alone. Some cars made it; some had to resort to being towed on trailers part of the way by gasoline-powered vehicles. Members of one 70-person-strong team from Cambridge University designed, built and drove a car in the race.

 

Ace & Son Moving Picture Company, led by Richard O’Connor’s animation direction, recently finished a poignant and thoughtful animated documentary short on the horrors of honor killings.

 

For her role as Visual Development Artist on Wreck-It Ralph, Lorelay Bove tapped into her Spanish roots and her love of Catalan modernist architecture to help influence the style, color and character design for Sugar Rush, a candy-coated cart racing game. Inspired by this distinct artistic style that includes such masters as Antoni Gaudi, the filmmakers were able to envision Sugar Rush as a sweet landscape environment that was both credible and melt-in-your-mouth edible.

With Wreck-It Ralph about to be released for the home entertainment market, we chat to the talented artist to discover more about the hilarious, arcade-hopping animation and the amazing artistry behind it…