Ozzie and Bieber for Best Buy.

I tried, I really did.  I watched every single commercial on this year’s Super Bowl telecast.  Unfortunately, I’m terribly spoiled by my DVR.  I think I’d give up Diet Coke before I’d give up my DVR.  Consequently, my tolerance of the sorry state of commercials is quite low.  So my assessment of this year’s crop of spots is not particularly kind. Nor coherent.  Nor relevant. I was not impressed.  There were, however, a few bright spots.

Routinely, while watching trailers at the local AMC 53-plex, or highly pixilated commercials on my supposed high-end HDTV, I’m alternately moved to yawn, cry, occasionally laugh, but mostly shake my head in disgust and mutter “We’re all going die…then go to hell.”  Today, Super Bowl Sunday, it appears yet again some evil cabal, clad in tattered rags, cackling in delight while dancing around a cauldron filled with bat wings and the limbs of corporate media buyers, has brewed up an especially foul potion, casting an evil spell over the creative community.  Agency Directors were surreptitiously replaced by humorless doppelgangers devoid of creative powers, sense of design or comedic skills.  The only way to survive this year’s game-day commercial-palooza was to gouge your eyes out with a Dorito.  Or crush your head under the wheel of a new enviro-friendly Chevy Cruze Eco. Or Snickers your way into a diabetic coma.

In no particular order, here are some random thoughts and lots of video clips.

Merida rides in this concept art from Brave. Merida does not play major league baseball for the Atlanta Braves.  All images courtesy of Pixar.

At a casual glance, anybody taking on Disney in a court of law would seem either fabulously wealthy, fabulously nuts, or both.  So, I find this news item of particular interest.  As reported on the Yahoo Sports blog Big League Stew, Major League Baseball’s Atlanta Braves are slinging some arrows at Pixar, challenging them over the name of the upcoming animated feature, Brave.

Treat yourself to Brad Bird's Annie Award Acceptance Speech video

One of the highlights of this past Saturday's ASIFA-Hollywood Annie Awards was Brad Bird's acceptance speech, done via video from the Vancouver set of Mission Impossible IV.  Brad was honored with the Winsor McCay Award for Lifetime Achievement.  How could you possibly out-do the compilation of clips they screened highlighting his incredible body of work?  Well, you follow it with a recorded acceptance speech that brought down the house. 

If you weren't at Royce Hall, you're in for a treat.  If you were lucky to be there, this is certainly worth at least two more viewings...enjoy!

Craig Barron has posted a really nice short film tribute to film historian and preservationist Kevin Brownlow, who this past Saturday received the Governors Award from the Academy of Motion Picture Arts and Sciences. 

Poster for the restored McCay short

For the past 2 years, Bill Plympton has had a team of interns busy restoring Winsor McCay’s last short film, The Flying House.  As work has progressed, Matthew Modine came onto the project as a producer and with assistance from business partner Adam Rakoff, has launched an online fundraising effort through Kickstarter.com.  Find out more about Winsor McCay, his career, the restoration of the film and how you can get involved.

By Nancy Phelps

If you have ever watched an animated film and wondered “How did they do that?” then Tobias Wengert’s  ANIMATORS how did they do that? is the book for you.  Wengert has transcribed in print his conversations with twelve diverse members of the Stuttgart, Germany animation community who reveal the secret techniques behind the magical images they create.

By Nancy Phelps

Estonian animation director and educator Ulo Pikkov has accomplished a remarkable feat in producing a most readable book on animation theory.  For those who do not know about the technical side of animation Animasophy – Theoretical Writings On The Animated Film is a great place to start.  Readers who are already well versed in animation techniques will be reminded about what they already know but don’t always think about.

Dice passing the Sketchtravel book to Hayao Miyazaki.

Recently, I had an opportunity to talk to Daisuke “Dice” Tsutsumi, whom many of you know as a driving force behind the Totoro Forest Project and most recently, the Sketchtravel charity art project.  An accomplished artist who spends his days applying his formidable skills as an art director at Pixar Animation Studios, Dice gave me an inside look at the unprecedented Sketchtravel sketch book, a historic collection of sketches being auctioned off this coming October 17^th.

Cinzia Angelini's Mila.

Frank Gladstone shot me a note about a short animated cg film called Mila being made by former Disney, DreamWorks and Imageworks animator Cinzia Angelini. Hoping to push the boundaries of non-photorealistic rendering to create a painterly aesthetic and character design, Cinzia is also striving to tell a socially relevant story about war’s most tragic collateral damage – the youngest civilians. The film is inspired by true stories that Cinzia’s mother and grandmother told her of their own lives in Italy during World War II. 

Noted animation producer / director / technologist / multimedia guru / man of international mystery Christopher Panzner has launched a brand new bi-yearly digital magazine, LHOOQ (pronounced “Look”), a pluridisciplinary (pronounced “double-you tee eff”) look at mindstyle, lifestyle, arts, literature, anything, everything.  The first issue includes a great piece spotlighting three well-known Canadian (pronounced “Kun-ay-dee-yan”) animation-type folks, none other than Mike Fallows, Chris Robinson and L. Elliot Taylor