Other than screenwriting software, all of the writing tools you need are available for free online. Here are the tools I use almost every day while I write or do the business of writing...
AWN’s The Miscweant attends the opening reception for ‘What’s Up, Doc? The Animation Art of Chuck Jones’ at New York City’s Museum of the Moving Image.
Painters start with a blank canvas, sculptors with a blank block of stone and writers with a blank page. Like a sculptor, a writer starts by chipping away the blank page.
The Pimp waxes nostalgically about his early affection for the game of baseball…and shares some baseball-themed animated shorts.
To ignite, liberate and empower imagination to its fullest and most potent we must open our minds and embrace "gravity free & reality independent” thinking.
When I saw French animator and illustrator Franck Dion’s beautiful 2014 Annecy poster I felt it was going to be a good festival this year and it was. For the first time in its history the festival team choose an animator to design the poster and let’s hope it won’t be the last time. It was also the first time in many years that the sun shone brightly down on the entire six days of the festival. There was no rain, just hot and hotter weather.
The festival got off to a splendid start with the presentation of a Honorary Award to Isao Takahata at the opening night ceremony. The seventy-seven year old Japanese animator was honoured for his outstanding career and life-long contribution to animation. His films include Grave of the Fireflies, Pompoko, and My Neighbors Yamadas. Along with Hayao Miyazaki and the Tokuma Shotem Company he also founded Studio Ghibli.
Final Draft 9 was released earlier this year. I have now used it for the past 5 months and gotten pretty familiar with some of the new features. So I figured it’s time I gave it a review.
AWN's The Miscweant attends The Academy’s “Icons of Animation,” dedicated to the work of character designer and New Yorker cover artist Peter de Sève; artist and animator William Joyce; Argentinian illustrator, author and animator Carlos Nine; and the King of Indie Animation, Bill Plympton.
They were very busy but they took time out to sit down with me and tell me about The Hollow Land Experience. The talented couple have created an audience inter-active installation to “explore the possibilities and expel the boundaries between theatre and animation, fiction and realism, transforming a screen based experience into a physical one”. Participants are given masks and costumes representing the two characters in the film as they enter the “animated rooms” which are created by multi-angled projections which change rapidly as the masked participants explore them. The blind “explorers” do not realize that there is one actor among them who leads them through the experience and hands them props such as toilet plungers to put on their heads. There is also an audience watching all of the activity much like old time residents of a city would watch newcomers. The installation was conceived at the Open Workshop in Viborg where they are both artists-in-residence. They said that it is expensive to install but they hope to be able to present it at animation festivals and in museums. You can see a small excerpt about the project on their website: http://Hollowlandfilm.wordpress.com
With four seasons under its belt, The Hub channel’s My Little Pony: Friendship is Magic celebrates its season-ending two-part episode and a just-announced 26-episode season five with one of its “What’s the Hubbub?” online chats.
Why is it that many live action filmmakers look down upon Animation as a lesser and an inferior medium?
From the guy who asked “What if Star Wars was a Tarantino film?” comes a new twist on Disney’s blockbuster animated musical: “If Frozen was a Horror Movie.”
In Part 1 I explained how I pitched one series with $13,000 worth of artwork and another with two sentences on the fly, and I sold the two sentences. But why did my two-sentences sell? What was it about the concept? What made it so good? ...
Whether you are a seasoned professional with a track record or making your first film finding your way through the co-production maze is difficult. This year at FMX in Stuttgart, Germany (22 to 25 April) I came across Chimney’s Top 100 European Film Funds (The Gateway to European Financing) This book is an invaluable tool for any animator who is looking for co-production and funding opportunities in Europe.
The 175 page book is organized by country, from Armenia to the United Kingdom, and in countries with several diverse regions such as France, the regions are subdivided into regional funding opportunities. Vital information, including available tax shelters, VAT percentage and requirements, and co-production treaties are listed along with contact information. The glossary demystifies terms such as soft money and pari passu and the through indexes list funds by countries, alphabetically, and funding levels. Chimney plans to publish a yearly update to keep information current, and in the next year is planning to create an app with all the information in digital form.
The National Film Board of Canada (NFB) is offering an online look at Bruce Alcock's (At the Quinte Hotel) latest film, 54 hours...
Based on a recent interview Bill Desowitz did with Wally Pfister (Transcendence), Marc ponders the question whether technology actually fails us.
I can't get enough of Saki Yori's freewheeling, animated anxieties that somehow calm. Her latest is The Tale of The Plump Bird.
This year Fete De L’Anim celebrated ten years of bringing animation to Tourcoing and the surrounding towns. The event not only had a fine selection of films, it was an important meeting place for animation professionals and students from top European animation schools to exchange knowledge and ideas.
Kristof Serrand, Supervising Animator at Dream Works was this year’s guest of honor. His presentation “Trade Secrets: How to Train Your Dragon Trilogy” was excellent. As one of the key players working on the trilogy and someone who has successfully made the transition from 2D to 3D, Kristof is well qualified to take the packed audience behind the scenes and show us a lot about the conception and making of the films. Besides being an extremely talented person he is also very charming. Unfortunately I missed the first two days of L’Anim so I could not attend his first Master Class.
Anibar International Animation Festival is pleased to announce its worldwide call for entries for its 2014 festival, taking place the 5th to 10th of August, in the city of Peja. Regulations and a link to the online application form is available at: http://anibar.com/2013/En/media/news/178/ here
Animation filmmakers are invited to submit their work to compete in three main categories: