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WE NEED TO TALK ABOUT KEVIN (2012) (****)

As a parent, I cannot imagine the depth of conflicting despair one might feel if their child committed an unthinkable act of violence. This reflective film tries to get into the mind of a parent whose son has done something horrible. We watch this morose mother sludge through the wreckage of her former life. Through a series of flashbacks we get glimpses of her memories of her child as if she's obsessing about the details that could explain his actions. There has always seemed to be something wrong with little Kevin.

Tilda Swinton plays the mother Eva in another performance worthy of praise. She was a woman full of life before she accidentally got pregnant with her son. As a baby he never stopped crying until his father Franklin (John C. Reilly, CHICAGO) returned home from work. It seemed this child was trying to drive her crazy. On a walk, the sound of a jackhammer is a welcome break from the wails of her child.

Blogs

THE DARK KNIGHT RISES (2012) (***1/2)

By Rick DeMott | Wednesday, September 12, 2012 at 10:37pm

Christopher Nolan's DARK KNIGHT trilogy has come to an end. In many ways it reminds me of another great trilogy's finale — RETURN OF THE JEDI. Not quite up to the grand standards of its predecessors, but a satisfying conclusion to the story of its main characters.

The action takes place eight years after the end of THE DARK KNIGHT. Bruce Wayne (Christian Bale, AMERICAN PYSCHO) is now living as a recluse in his Wayne Manor, his body broken from years of abuse defending Gotham as the Dark Knight. The city has not seen the Batman since the death of DA Harvey Dent. Commissioner Gordon (Gary Oldman, THE PROFESSIONAL) has kept the secret of Harvey Dent's descent into madness from the city. Dent's death, which Batman took the blame, has given the authority the clout to enact tough anti-crime laws that some feel overreach. Because Bruce believes that great power takes great responsibility and can easily be abused, he has decided to shelve a fusion power project, which has the potential to bring cheap power to millions.

Blogs

VIEW Conference Unveils 2012 Highlights

By Dan Sarto | Tuesday, September 11, 2012 at 1:53pm

Dedicated to bringing together experts from around the world to inspire, engage, teach, and astound, VIEW, Italy’s leading computer graphics symposium, proudly announces highlights from its upcoming 13th annual confab.

Blogs

Five Operators, One Giant App Store

By Dan Sarto | Friday, September 7, 2012 at 2:32pm

Later this month, five of the world’s largest mobile operators plan to launch a virtual app store that will let their customers buy apps from one another. For developers, one potential benefit is access to each operator’s APIs to enable operator-specific additional features without rewriting big chunks of the app for each operator.

Production Blogs

Developing Indigenous Animation Films

By IACG | Thursday, September 6, 2012 at 12:04pm

Aside from the very favorable financial picture of creating indigenous animation films, you’ll find it personally rewarding. It’s great to see the faces of children light up when they see a character from their own culture on the screen instead of an old episode of Popeye or Tom & Jerry. It’ll give both of you a sense of pride.

Blogs

Genndy Tartakovsky Presents Exclusive Footage of Hotel Transylvania at VIEW Conference

By Dan Sarto | Thursday, August 23, 2012 at 2:06pm

The VIEW Conference is proud to announce that award winning director Genndy Tartakovsky (“Dexter’s Laboratory,” “Samurai Jack,” “Star Wars: Clone Wars”) will present and discuss his feature film debut, Sony Pictures Animation’s 3D monster comedy Hotel Transylvania, for the first time in Italy during the 2012 conference, October 16 to 19 in Turin, Italy.

Show Blogs

There’s a Party in my Tummy

I see a lot of TV animation for kids. Sounds pretty enviable, doesn’t it? Well, it is when you stumble upon godsends like the shows Yo Gabba Gabba! Otherwise, it’s a pretty hellish experience being forced to hear god-awful music and watch screaming adult-voiced kids, bad animation, idiotic storylines, and annoying dialogue, writing, and plots that read like they’re were made by a factory of Ned Flanders clones.

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