The festival is in wind-down mode as producer Max Howard intros a screening of the independently-financed Igor. Afterwards Howard does a q&a, describing its labor-of-love creation headed up by former staffers of Disney’s shut-down Paris studio and the challenges – and freedom – of producing animation without major studio backing.
Friday is field trip day at the Red Stick Festival – It seems as if half of Baton Rouge’s school population has been bussed in to take part in the festivities.
Day 2 of Red Stick, and the multiple events begin. Oh for the power of Dr. Manhattan to split myself up into several Joes so as to cover everything, but all I can manage is to run to and fro, capturing a taste of this and that.
Red Stick began today for real, sort of. An abbreviated session wrapped up around 4, in time for people to go out and enjoy the warm Louisiana sun – which they needed to do after spending the past several hours in the sub-zero temperatures of the Shaw Center’s Manship Theatre.
You can (almost) always tell an animator by their t-shirt, so I figured the young lady in the Supergirl tee waiting for the hotel shuttle at the Baton Rouge airport had to be in town, like me, for the Red Stick festival.
While there is no denying that the world is in the midst of a major fiscal re-order, a lot of the people at MIP weren’t necessarily crying the panicked, frantic song they were at last fall’s MIPCOM. The sky is no longer falling, business is just slow…really slow.
Cartoons on the Bay debuted in their new, more post-MIPTV friendly location. Now held in the three towns of Rapallo, Santa Margherita Ligure and Portofino, the festival is just one jaw-droppingly stunning ride away from Cannes. What a place!
New technologies and titles have been announced, but clearly the industry focus has changed, and for the better. Developers are becoming more and more conscious of what’s taking place in our economy and adapting. Expect to see lower price points, more independent titles, and artistic innovation in the year to come.
Dr. Allen Patridge of Adobe ran the Director 11.5 release presentation, and he went over some of the things users can expect from the new Director software. He approached this from three angles: Dominate, Accelerate, and Impress.”
Today was a truly exciting day, with newly unveiled games, the opening of the conference floor, and the two flashy awards shows. But, the fun isn’t over yet!
The GDC’s Serious Games Summit was an object lesson on how many areas of the world can be affected by games—and how effective Serious Games can be in teaching, affecting opinion, motivating exercise, and medical healing, to name but a few.
The last talk of the day I attended was suitably called “Making LOVE In Your Bedroom.” The solo developer of a game called “LOVE,” Eskil Steenberg, ran the session. The absolute focus of his talk was pushing developers, indie and commercial alike, to build their own tools rather than licensing existing ones.
This year’s GDC is expecting well over 14,000 attendees, at the Muscone Convention Center in San Francisco. This has become the epicenter of world game development, a gathering of game designers, producers, sponsors, and the tech companies that support them.
The Game Developer Conference, also known as GDC, is the end-all be-all event of the year for game developers. You’ll find no fan-boys here!
For Kunio Kato, the Oscars were a whirlwind experience. Here are some exclusive pics from his big night. Here he is with the likes of John Cleese, Sean Penn, Andrew Stanton and more.
Every year the day before the big event offers two annual events that allow the nominees to take a chance to relax with fellow members of the animation community. Check out this year's pics.
Each year Acme Filmworks and AWN host a party, bringing the animation community together to meet the nominees. This year it was an intimate affair at tour host Ron Diamond's home. Check out the festivities.
One of the highlights of the tour is always the public screening at the Academy of Motion Pictures Arts & Sciences. This year the Academy not only hosted a night highlighting the shorts, but also the animated features. Check out the pics for both events.
ILM had a photographer follow the Oscar tour around their facilities and we'd like to share some of the great pics.
At the Dreamworks stop, Rick Farmiloe meets the filmmakers and hears about their thought process and methods of getting it on the screen. For him, this year the field was exceptionally strong, with every film being quite unique and different from the rest.
Congratulations to Oscar winner Kunio Kato, as well as everyone at Robot Communications, especially Taki Tsuyoshi. I’d also like to congratulate all the nominees on their wonderful films.