AniFest celebrates the centennial of Czech puppet Master Jiří Trnka with the dedication of AniFest 2012 to the magic of film puppets.
The Annecy festival has announced their 2012 shorts and television competition selections as well as revealed their official 2012 poster.
Special Guest: OIAF Animators' Picnic 2011 - Part 2
It's the FFAF Pre-Holiday Holiday Spectacular as Joel and Alan continue to bother more legends of international animation trying to eat, drink, and be wary at the Ottawa International Animation Festival 2011, Part 2. PLUS, backstage hijinks and hosting recap of the OIAF 2011 Closing Ceremonies.
Time spent in quiet contemplation sets the necessary foundation to help focus you more than list building and speed-interviewing can any day. When you feel the need to plan ahead, think about slowing down and taking a career sabbatical.
One of the things we like to do is talk to some of the top innovators in the industry to see what makes them tick. We’ve spoken to Matt Ployhar -- president of the PC Gaming Alliance (PCGA) -- before, but he’s been up to a lot lately, so we followed up to get a closer look.
Part musical, part action, all comedy, A Monster in Paris is a fun, yet convoluted, Disneyesque animated feature.
Bob Balser, the animation director on Yellow Submarine, and his wife Cima share their impressions of the Oscar Showcase DreamWorks studio visit.
I thought this film had stunning visual effects. The backgrounds look like watercolor paintings and the scenes of the garden and the assortment of wildflowers in the yard were beautiful. The film could use some improvements though.
It’s baa-ack! The days are getting longer and warmer, but the real sign of spring’s incipient arrival is of the return of the New York International Children’s Film Festival.
When you think you’ve done enough job hunting for yourself and you are not sure what you can share, think of those who are still struggling and have not been as successful as you and next time you hear of a job you are not interested in or perhaps is just not right for you, remember you can easily just, pass it on.
For some time now I have been promising myself a return to organic art. In my case this means line drawing. I love how line fluctuates, swings, cuts, curls, twists, envelopes, stubs, caresses, how it becomes a natural extension of an artist, how its creator can funnel into it the inner thoughts, passions, desires, frustrations or dreams.
Tim Sweeney, the founder of Epic Games, talks about how advances in processing power will continue to advance games.
When all of your search efforts have gone by the way side, do you ever feel like holding up a sign across your chest with the words emblazoned in big red letters, “Try Me!” But when you think about it, what harm would there really be if you let them try you for free?
Why do I always start salivating when I’m invited to an event in the Viacom building? Oh yeah, it’s because they always put out the nicest spreads - and whatever they’re promoting is usually pretty interesting too.
Each year on the Oscar Showcase Tour, our day at DreamWorks is always great. The studio goes out of its way to provide a full day of demonstrations, a great lunch with executives and a packed screening of the nominated shorts. Of all the stops on the tour, DreamWorks always shares the most detailed and intimate look at films in progress, which for an assembly of animation directors and producers, is always a welcome treat. This year was no different.
We all like to plan and plan and well, plan what our lives will be like in the future but what you need to remember when you come down to earth, is applying those dreams in the here and now.
Electronic Arts’ BioWare studio has come a long way since first launching Mass Effect on the PC. What began as an epic single-player experience has expanded into a new cooperative gameplay mode with Mass Effect 3. Up to four players can engage in exclusive co-op firefights on top of the epic conclusion of the single player campaign.
Fresh from our morning at the ARL, we were greeted in the lobby of Disney’s whimsical animation building by Stephanie Morse, Talent Development Coordinator. She ushered the nominees into the screening theater for a quick introduction. Then, leaving the lunchtime crowd to watch the nominated shorts, our band set out on a fast-paced tour of the neighboring Disney lot.
Thursday morning found our traveling band of Oscar short animation nominees and AWN staff trekking eastward for a morning at the Animation Resource Library (ARL). The definitive, company-owned archive for all Disney production materials, ARL is something of an in-house secret, playing host to over 60 million pieces of original production artwork.
Paramount Studios is one of the oldest and most venerable of the big Hollywood studios. While the studio has been distributing animated films for some time through its relationship with DreamWorks, only announced last July it announced it was getting back into the animation production business. Our group spent the entire day on the lot and were not disappointed.
Rango opens the door for U.S.-made animated features for adults. Ed explains why acting styles are evolving from the Disney silent film model to the 1950’s Method acting model.
If you asked me whether the Annies had become irrelevant a few years ago, I, and many in and around the animation industry, would have quickly said, yes. But see what a few years have done. The Disney boycott really forced the hand of ASIFA and put them into a position to fix the problems many had been complaining about for years. Moves such as keeping Annie voting to professionals and forming the member's favorite category for the larger membership have gone a long way in bringing a sense of legitimacy back to the long running awards show.
Wednesday afternoon found the Oscar shorts nominees at 20th Century Fox's sprawling backlot, located in the heart of Century City. After checking in at the Little Theater, used by the studio for on-site screenings, it was off for some behind-the-scenes looks at one of television's biggest studios.