This year the Trickfilm Festival has taken its place at the top of world class animation festivals and once again I can honestly say that if I could only attend one festival a year it would be the Trickfilm Festival.
We spoke with Avery Sawyer, a software engineer who recently worked developing Comic Director, a free Microsoft Windows 8 UI Touch app that helps users create interactive comics.
Shedding your fear about the future is like taking a brisk jog around the block after a big holiday meal. You may be full but you know you need to get rid of what no longer feeds you.
Having traveled and lived in countries representative of truly diverse ideological, political, economic, social, geographic and otherwise distinctive settings, the issuing realities are dawning on me, and in the reflective process also are becoming uncomfortably clear to me.
You can create career chaos whether you do it intentionally or not. Whether you are attracted towards situations steaming with drama, or you tend to find yourself in the middle of some conflict of some kind, your career chaos is one way you thrive or dive in your attempt to further your goals.
Our pilot stopped short, my hotel has crazy circus performers resting on the walls above my head, and then there was this awesome french driving film that makes Bullit look like a training wheel exercise. All this at the Vienna International Shorts Festival!
Each year I wait with great anticipation for the International Trickfilm Festival of Animation and the 2013 20th anniversary edition did not disappoint me. As befits a milestone 20th anniversary special guests abounded. The venerable British master of puppet animation, Barry Purves, presented 2 programs of his films, and a screen play workshop he titled “The Naked Animator”. Alas, Barry did not appear in the altogether but he did bare the naked truth and some harsh realities about a life devoted to puppet animation. Barry is such an entertaining speaker that I would go out of my way anytime to listen to him read the telephone book which I am sure would be most eloquent with numerous funny asides so the opportunity to hear him talk about what still drives and inspires him to continue to create after 35 years in the land of puppets was a rare treat.
From May 28-June 9th, Chew on This will be giving up daily reports of the dastardly stuff unfolding at the Vienna Shorts Festival and the Zagreb Animation Festival. Stay tuned...
Hello from Sofia, Bulgaria. I’m here for the 4th Annual Golden Kuker International Animation Festival. More about the festival, shortly.
I highly recommend “Epic” to all age groups. It’s a thrilling adventure with magic, fantasy and a lot of heart.
Just how much money does it cost to be Fast and Furious? Check out Nikolay Lamm's infographic to find out.
Chris Landreth just finished up a new film, Subconscious Password. I've seen it. It's fantastic. Here's the trailer....
When you are just plain TIRED and you’ve been at this for a while, it’s okay to just chillax your search and sit this round out.
This much delayed episode comes to you all the way from China, where I am now, invited here as a Professor & KoGuan Chair of Digital Arts & Design @ Peking University.
Nikola Majdak, pioneer of Serbian animation, passed away on May 4, 2013 at the age of 86. Born in Valjevo in the former Yugoslavia on November 30, 1927, his fascination with cinema spanned 6 generations.
At the age of 16 young Nikola began work in a laboratory, graduating to the projection booth and finally to camera operator. After graduating from the Art History Department of Belgrade University he went on to a career as a director of photography working on over 200 documentary, feature films, and animations, many of which won major awards worldwide.
Nikola served as the long-time president of ASIFA (Association Internationale du Film d’ Animation) Serbia, representing his chapter on the ASIFA International Board. He also served on numerous juries at such prestigious festivals as Annecy, Hiroshima, and Espinho.
Just how much money did it cost to be The Great Gatsby? Check out Nikolay Lamm's infographic to find out.
It isn’t often that I read a text book that is a real page turner, but Tom Sito’s new book - MOVING INNOVATION, A History of Computer Animation is definitely a must-read.
It covers over a century of innovations including the first motion capture experiments of Etienne-Jules Marey, a contemporary of Eadweard Muybridge, to the use of optical effects by Georges Melies in his magical films, the design and optic effects wizardry of John Oxberry’s revolutionary contribution, the Oxberry camera, and on through the dawn and emergence of the Computer Graphics revolution, Moving Innovation follows the trail of historical developments of dreamers and inventors right up to the present. Even though such innovators as Elfriede and Oskar Fischinger, Mary Ellen Bute, and Norman McLaren never touched a computer, we are taken step by step through the groundwork they laid for present day CG. The book brings to life the colorful cast of math nerds, avant-garde artists, cold warriors, dope smoking hippies, video game enthusiasts and studio executives who were the strange bedfellows who brought about this new medium.