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2013 Ottawa Animation Festival Day 3 - Eric Goldberg is in the House!

The Animation Conference (TAC) has wrapped up and we are now in our third full day of festing. And I still have to fill you in on all of yesterday’s events. Here we go…

By Lia Abbate

Hello again, Ottawa cyber-festers ~

The Animation Conference (TAC) has wrapped up and we are now in our third full day of festing. And I still have to fill you in on all of yesterday’s events. Here we go…

I keep trying to get a picture of Kelly Neall, Managing Director, and Azarin Sohrabkhani, TAC Director, to introduce them to you and send them some appreciation for all of their hard work in getting this organized. The fact is that they are both so busy I could never catch them. I’m not giving up yet. Just know that they are both beautiful women.

Carrie Tupper, creator of Kamikaze, and Craig Bartlett, creator of Hey Arnold! and our TAC ART+BIZ Keynote Speaker.

TAC ART+BIZ Day Keynote: Craig Bartlett

This morning was all about networking and brunching. Craig Bartlett, creator of Hey Arnold! sent us back into the world with the inspiring story of how he created Arnold during his “unemployed summer of ‘88” out of wanting to animate more plasticene on glass work after finishing the Penny shorts. So he took himself back to “what it felt like to be a kid of about 5” and created a short called “Arnold Escapes From Church”. When he went in to pitch to Mary Harrington at Nickelodeon with the 5 other writers from Rugrats, once they got through what they thought were all their ideas, she asked, “What else have you got?” She saw the short and said, “There’s a series there.”

When Craig described the development of Arnold’s girl nemesis who was secretly in love with him, it was great to hear that Geraldine Laybourne once took him aside and said, “You know, I was Helga.”

As is the case in many of the talks, there were young artists and creators in the crowd who grew up on Craig’s work and wanted to express their appreciation. One of them was Carrie Tupper who singled out the “Helga on the Couch” episode for making the idea of a therapy safe for kids. It really made an impact on her life as well as those of her friends. I made sure to take a picture of them together. Now she’s creating her own animated series, Kamikaze.

A lovely day in Strathcona Park for the Animators' Picnic. Note the dancing teddy bears.

Animators’ Picnic

Time to head out into the gorgeous sunshine for food, drink, and pumpkin carving. Who knew that it would be 80 degrees in Ottawa? How perfect.

Animated Picnickers: Jsaon Kraft and Jennifer Cross of Fuel Entertainment sandwich Chris Dainty of Dainty Productions whose fantastic logo film kicks off all the festival screenings and recognizes all the deeply appreciated sponsors.

The Festival Friend

It seems that in every festival you go to, no matter how many hundreds of people there are in attendance with venues spread out all over the city, there is always this one person that you keep running into everywhere you go. Ronald Kilbride turns out to be my festival friend this time around. He teaches animation at St. Clair College and he has a group of his students with him for whom he cares a great deal. We spent time during the picnic encouraging them to break out of their shells, to just go out and introduce themselves people. Remember when that was a scary proposition? The goal was to get at least three business cards by the end of the picnic. I left them to their own devices.

Riding in style and making friends from venue to venue. Just sitting on the bus, I met development folks from Nickelodeon, a pack of students from RISD, and a teacher from St. Clair College outside Toronto who turns out to best friends with one of the directors I'm currently working with at Sony.

Amidst a fog of panels and screenings, what fun to duck into a bookstore and realize that you really are in another country.

Let’s Get Lost. Oh No, Let’s Not.

Another thing that seems to happen in festivals is that moment of overload where you get overwhelmed by the choices, exhausted by all of the interaction and visual stimulation, and then you make some stupid mistake. I wandered into a bookstore post-picnic, confident that my next screening was just down the street. Well, I arrived at the Bytowne Cinema at the appointed time, only to see a packed double-decker bus make its way down the street and continue right past me. I tried the doors. They were locked. I improvised.

Eric Goldberg, Super Genius.

Walt Disney’s Mickey Mouse in Get a Horse!

Luckily, there were two screenings of this scheduled back-to-back and I made the second one, not without having experienced a nice walking tour across Parliament Hill. The Get a Horse! screening was an absolute thrill. Lauren McMullen, the director, has enough charisma and enthusiasm for five people, and it is no surprise that this perfect meld of 2D and 3D is as engaging and technically excellent as it is after hearing her describe their process. And Eric Goldberg had already won my heart forever when I once walked into the kitchen at a party and he and Caroline Cruickshank were trying to stump each other on by singing a song and asking which Looney Tunes cartoon it was from (it was a draw). Eric is the walking definition of the real thing. Get a Horse! is meant to be seen in a theatre, 3D glasses and all. It’s another reason to get yourself to Frozen when it comes out to catch this at the beginning.

Eric on the downshooter. Note pencil and paper technology.

Eric demonstrated time travel by first recreating the Freddie Moore version of Mickey...

...then transforming him into the little fella that Ub Iwerks animated. Yes, those are animation pegs at the bottom of the paper and yes, he did flip from one to the other.

Lauren McMullen, director of "Get a Horse!" This photo does not do her justice. She is a wonder.

Screening: Pixar’s The Blue Umbrella & A Liar’s Autobiography

A great surprise, Pixar’s Saschka Unseld appeared before us at the beginning of the screening of A Liar’s Autobiography to introduce his short. The inspiration for The Blue Umbrella came from the day he found an abandoned, broken umbrella in the street in San Francisco. Saschka’s hometown in Germany came to mind – he termed it the Seattle of Germany – and so he created a love letter to the rain.

A Liar’s Autobiography is one of those great guilty pleasures on celluloid. A heady mix of humor, sex, and celebrity, this biopic (or is it?) of Graham Chapman is well worth the effort of finding it in the theatre because this is yet another excellent 3D creation. The Python humor is very much in evidence as well as surprising and earned pathos and love.

Louis Borgeouis' Maman stands outside the National Gallery of Canada. Yes, maman, the kids are alright.

Screening: The Kids are Alright

The National Gallery was the perfect venue for this compilation of exceptional student films from the festivals archives, an exhibition in and of itself. A few old favorites and some new revelations, they were the perfect way to ease down the day. It left me debating that eternal debate: “Is an artist’s style truly set from the very beginning?” In a few instances, it was alarmingly true.