Don't Believe Your Eyes: It is Real or is it Animation?
It is real, or is it animation? Bill Hilf explores the aesthetic implications of our new digital realm.
It is real, or is it animation? Bill Hilf explores the aesthetic implications of our new digital realm.
Sean MacLennan Murch describes how companies are integrating 2D and 3D animation in order to obtain the best of both worlds.
With digital animators being the hottest commodity on the market, AWM profiles three schools that have recently received major donations from leading corporations. Mike Scroggins profiles CalArts. Dr. Richard Weinberg discusses USC's program, while Robin King describes the Sheridan College experience.
Michael Whitney relates a few of his father's ideas and achievements and his own hopes to fulfill his father's dream of creating an official archive of films and materials.
John Cawley looks at the relationship between comics and animation over the years, from Gertie the Dinosaur to Men In Black.
Frederik Schodt explains to Maureen Furniss a few aspects of the Japanese culture behind manga and its huge success.
Mark Langer chronicles the evolution of one of the most enduring characters in animation history, the sailor man who got his start in comic strips.
As the world becomes smaller, individual countries' comics industries are changing. John A. Lent explains.
Independent recruiter Pamela Thompson investigates where the industry's top recruiters look for their next hires.
Alice Carter leads us through a day in the life of the groundbreaking collaborative educational program, the ACME Virtual Training Network.
Tammy Glenn reports on California Governor Pete Wilson's proposal for a scholarship initiative to feed the industry's appetite for talent.
Steve Hulett of the Motion Picture Screen Cartoonists' Union (MPSC Local 839) reviews animation wages of the past, present and future