Italy’s largest computer graphics conference is now ready to accept applications for entries in four contests: VIEW AWARD, VIEW SOCIAL CONTEST, VIEW AWARD GAME, and ITALIANMIX.
“Miffy the Movie” reaches the status of Golden Film, an award given on behalf of the Dutch Film Festival and the Dutch Film Fund.
Visual Effects workers finally took to the streets in a protest march during the 2013 Academy Awards. But is their message clear?
MPC VFX Supervisor Guillaume Rocheron is honored at the Academy Awards for the studio's contribution to Ang Lee’s critically acclaimed “Life of Pi.”
The visual effects community responds to director Ang Lee’s acceptance speech for the Academy Award for Best Director for “Life of Pi.”
Ang Lee’s stereoscopic 3D feature, “Life of Pi,” takes home the Academy Award for Best Visual Effects.
Disney cleans up at the Oscars this year with wins for Pixar feature, “Brave,” and the John Kahrs-directed “Paperman.”
Day 3 of the LA leg of the Oscar Showcase Tour finished up with a screening for The Simpsons production crew.
The Academy of Motion Pictures Arts and Sciences’ 2013 Academy Nicholl Fellowships in Screenwriting is now accepting entries.
Day 2 in LA concludes with a screening at the Motion Picture Academy hosted and moderated by Jason Schwartzman.
The SoCal leg of Oscar® Showcase Tour kicked off with a screening Monday night at Woodbury University, sponsored and organized by ASIFA-Hollywood.
The Writers Guild of America, West and the Writers Guild of America, East announce the winners of the 2013 Writers Guild Awards for outstanding achievement in writing for screen, television, radio, news, promotional, videogame, and new media writing.
“Argo,” “The Silver Linings Playbook” And “Brave” win big at the 63rd annual ACE Eddie Awards recognizing outstanding editing in 2012.
The Sound Mixing Team of Original Dialogue for “Brave” take home the top honors at the 49th Annual CAS Awards in the newly added category of Outstanding Achievement in Sound Mixing for a Motion Picture – Animated.
The film’s Executive Producer and ILM VFX Supervisor discuss the Oscar®-nominated superhero epic’s visual effects challenges.