Going Old and New School for Star Trek Into Darkness

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ILM's Roger Guyett discusses J.J. Abrams' hybrid vision for his latest Star Trek movie.

Tackling Previs on Oblivion

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Supervisor Nick Markel takes us inside The Third Floor’s previs work on Joe Kosinski's sci-fi thriller.

Building a Better Iron Man 3

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Iron Man 3 may be more angst-ridden, but there were a lot more suits to be battle-tested.

Is Previs Finally Getting its Due?

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A stellar Motion Picture Academy VFX Convergence program shines a welcome spotlight on the world of previsualization.

Spring 2013 Animation and VFX Film Preview

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James Gartler walks us through 11 visually tantalizing films hitting the box office this Spring.

A New Post-Apocalyptic Look for Oblivion

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Digital Domain and Pixomondo tell us about working on Joe Kosinski's follow-up to Tron: Legacy.

More VFX than Meets the Eye in Olympus Has Fallen

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Senior VFX Supervisor Evan Jacobs blends explosive action sequences with a complete Washington DC re-creation, all done in Louisiana.

G.I. Joe Gets VFX Retaliation

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Digital Domain, ILM and Method step up the explosive action for the new G.I. Joe sequel.

Embracing Change in The Croods

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The directors, head of character animation and VFX supervisor describe the making of the latest feature from DreamWorks Animation.

Finley and China Girl and Puppet Cams, Oh, My!

Posted In | Magazines: VFXWorld | Site Categories: 2D, 3D, CG, Films, People, Technology, Visual Effects
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Oz the Great and Powerful offers a new, hybrid spin on a beloved classic.