Everyone knows a great pitch starts with a great series concept, but in addition to that what do executives like to see? Five top executives from major networks give us an idea of what makes them sit up and take notice...

Part of the trick of getting hired is knowing where to be seen by the recruiters. We asked several studios about the top resources they turn to first.

Janet Ginsburg reveals the subtle timing of when an agent is needed and when an agent might hinder getting that job.

Here at Animation World Network we frequently hear from folks who want to start in animation from their home town. While we don't claim that animation exists in every corner of the globe, here are a few suggestions to seek out what is in your area.

Renowned drawing instructor Glenn Vilppu continues with his second installment discussing techniques for sketching on location.

Renowned drawing instructor Glenn Vilppu begins a new series of articles that discuss sketching on location.

Before signing up for training — and signing that check — there are several key facts that you need to know. Larry Lauria explains.

Larry Lauria touches base with DreamWorks' Frank Gladstone to learn the latest on what studios expect to see in portfolios.

Brand new in town with the dream of becoming a voice actor and no clue as to whom to call? Gregory Singer will give you a few ideas in this getting started 101.

One of the most important things about being an animator is being able to notice physical and emotional actions in people. Animation Foundation have some thoughts on how you can do this.