Sketching on Location: Using Photographs
This is the twelfth and last chapter in a series of bi-monthly articles about sketching on location. The articles are based on my Sketching on Location Manual. The manual was developed as a series of lessons that I use on my guided sketching tours of Europe and as material in my regular drawing classes. As such the lessons can be part of a regular course or used by individual students as a practical learning guide. If you have not seen the previous lessons starting in the June 2000 issue of Animation World Magazine, it is recommended that you do. The lessons are progressive and expand on basic ideas. It is suggested that you start from the beginning for a better understanding of my approach. If you really want to start at the beginning open with the lessons based on the Vilppu Drawing Manual.
In the last lesson we discussed "Atmosphere." The main purpose was the use of atmosphere to create the illusion of 3D form, this was one of the corner stones of the Renaissance and a useful tool in expression and as a strong picture making tool.
The Camera As A Tool
The camera does a great job of gathering information if you know how to use it. First, the camera cannot be surpassed for speed and convenience in "capturing a location" for future use, but, with the speed and convenience, come certain pitfalls.
Many times while traveling the camera becomes the main tool for gathering information. We all have stacks of pictures taken with the intention of one day turning them into drawings or paintings. The professional artist has organized scrap files of not only his or hers photographs, but also photos clipped from magazines and newspapers that could one day be of use in a project. Since its development, many artists, including Degas, Paul Gauguin, Alphonse Mucha and Maxfield Parrish, have used the camera as an integral part of their creative process. Many photographers have started out as painters. Keep in mind that the camera is a tool and, like any tool, there are practical as well as impractical uses for it. My objective in this manual is not to discuss the photograph as an art object in itself, but as a tool and resource for the artist who sketches on location.





















Sketching from a photograph is like making a movie from a...
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