The Mighty Principles of Animation

While the basic technology of animation changed little prior to the advent of the computer, the principles of animation that are used today were all developed in one amazing decade. Gene Deitch explains.
Posted In | Magazines: AnimationWorld

It's not my purpose to explain or illustrate these principles here, that's all in Frank and Ollie's book. I only want to make the point that though we have an art here, we also have a craft, and that there are basic laws and principles that guide us, just as we have the laws of gravity and motion. Within these laws, there is room for infinite variation and invention. That's where the creativity comes in. Those rules apply mainly to character animation. Graphics animation is unlimited; in that area virtually anything goes, though it doesn't hurt to keep the principles of arcs and timing in mind!

Gene Deitch is one of the last surviving members of the original Hollywood UPA studio of 1946 and the instigator of the CBS-Terrytoon "renaissance" of 1956-1958. He was also: Animation Department Chief of the Detroit Jam Handy Organization, 1949-1951, Creative Chief of UPA-New York, 1951-1954, Director at John Hubley's Storyboard, Inc. New York, 1955, President of Gene Deitch Associates, Inc. New York, 1958-1960, Creative Director for Rembrandt Films, 1960-1968, and star director for Weston Woods Studios, Inc., Weston, Connecticut, 1968-1993. He has worked for over 40 years with the Prague animation studio, "Bratri v Triku."







Comments


Look just after the parenthesis on #12, Dave. Gene mentions there that he's adding #'s 13 and 14.
Paul Naas (not verified) | Mon, 11/25/2002 - 01:00 | Permalink

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