Evan Goncalo tests the new Wacom 24HD to see if it may indeed be the end-all-be-all of graphic tablets.

The man behind conversions of The Lion King and Beauty and the Beast discusses the stereoscopic 3-D renaissance at Disney.

Pixar screened the first half-hour of Brave last week and Bill Desowitz reports his impressions and speaks with director Mark Andrews.

Marvel's Exec-VP of visual effects and post production talks about the pressures of co-producing massive vfx-driven films like Iron Man 2, Captain America, Thor and The Avengers.

Method Studios VFX supervisor Olivier Dumont walks us through the complex building of Kronos and the Underworld for the Clash of the Titans sequel.

Bill Desowitz reports increased cloud computing and further optimization from last week's Autodesk summit.

VFXWorld spoke to VFX onset supervisor Sheena Duggal about the latest blockbuster.

The PipelineFX CEO dishes insight on render farm management, pipeline efficiency and people’s wishful thinking about cloud-based production support.

Adam Beckett’s tragically short career as experimental animator and budding effects master are celebrated in a collection of his restored films.

The animation director of ILM’s first fully animated feature film talks design, budget, pipeline and fear. Not necessarily in that order.