Macromedia's Dreamweaver impressed Dan Sarto. Read on for why this web authoring tool is hard to beat.

Compositing 3D elements into live-action footage is a very important facet of post-production. Bill Fleming instructs us on how to get it just right.

Osmosis Jones blends hokey live-action and slick animation into a cop spoof that is both gross and clever. J. Paul Peszko reveals the process behind these two separate worlds.

Kellie-Bea Rainey tests out Animation Toolworks' Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike!

Robert Gonzales shares his insight on the various tools currently available for creating animation on the Internet.

Webmaster Ged Bauer gives Macromedia's Fireworks a try to determine whether it is the "all-in-one-be-all-end-all" web graphics application that it claims to be.

3-D animator Bill Fleming details the development of technologies for animating fur and hair in computer animation.

Un article sur l'édition 1998 du MILIA, par Anne-Marie Meissonnier.

Josephine Anstey and Dave Pape describe the CAVE Automatic Virtual Environment, a virtual reality display device which uses 3-D animation. In other words, it is an entertainment prototype that can best be described as a Star Trek HoloDeck precursor.

Anne-Marie Meissonnier describes The International Content Market for Interactive Media's (MILIA) main topics in "MILIA 1998: The Key Points," available in French and English.