Using proprietary motion-capture software and creative partnerships, Protozoa’s DotComix is quickly becoming a force on the Internet. Lee Dannacher offers an inside peak.

Heather Kenyon reveals that whether used by established filmmakers or up-and-coming youngsters, the Internet is proving to be a very versatile tool helping everyone gain a little more freedom and independence.

Lee Dannacher goes behind the scenes at shockwave.com, Macromedia’s spin-off entertainment destination, which is now defining the front edge of seriously fun web animation and interactive fare.

Eric Huelsman predicts that Walking With Dinosaurs will be hailed as one of the most scientifically significant technological benchmarks in broadcast television for many years to come. Here's why...

To introduce the March 2000 Production Technology issue, Edwin Catmull, Executive Vice President and Chief Technology Officer of Pixar Animation Studios, takes the ten question challenge.

I get fliers...I get phamplets...I get emails about all the amazing technology available to today's animators. And while I can't use any of it, we can all appreciate how new technology is making bringing `toons to life more easy.

Beginning in the late `50s there was an inspired flow of clever techniques that seemed like animation, but really weren't. These cartoon look-a-likes were shot in real-time and not frame-by-frame. Howard Beckerman takes a look back on a few of these fleeting methods.

The most famous stop motion studio in the world -- Aardman Animations -- is poised and ready for even greater success. Wendy Jackson Hall reports.

Digital humans are right around the corner according to Giant Studios and Webbie Tookay couldn't be more delighted. Laura
Schiff explains. Contains Quick Time movie clips!

Paul Younghusband reviews CG 101, a general, but detailed, book which covers a wide range of topics, from visual effects techniques, to terminology, job descriptions and visual effects history.