Robert Zemeckis and Kevin Baillie talk about the VFX challenges of the director's return to live action.

Animation producer Justin Weyers describes the massive production challenges of turning Chapman’s A Liar’s Autobiography into an animated 3-D feature.

Disney’s new BRDF lighting system stands front and center in the array of new tech tools anchoring the studio’s animation production pipeline.

Disney's definitely back with Wreck-It Ralph and I talk to director Rich Moore and the animators about the latest rebirth of animation.

Dan Glass talks Cloud Atlas VFX and working with the Wachowskis again.

HALON taps Fabric Engine’s Creation Platform to develop a virtual production environment capable of re-targeting motion capture data in real time.

Creative particle work and cloud-rendered cityscapes help give Looper its distinctive vibe.

Mr. X cranks up its creature work for the fifth installment of the zombie franchise.

LOOK Effects’ VFX supervisor talks about the fast-paced world of visual effects on Fox's hit procedural crime drama.

Pixar transforms a blockbuster classic to 3-D.