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Mind Your Business: Time to Change Pre-Production Rules

By Mark Simon | Monday, February 18, 2013 at 1:20 pm
Posted In | Magazines: AnimationWorld | Columns: Mind Your Business | Site Categories: 2D, Technology
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Mark discusses how execs need to get used to story artists editing their own animatics.

Victoria Alonso and Jeff White Talk The Avengers

By Dan Sarto | Saturday, February 16, 2013 at 8:42 pm
Posted In | Magazines: VFXWorld | Site Categories: 3D, Awards, CG, Films, People, Technology, Visual Effects
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The film’s Executive Producer and ILM VFX Supervisor discuss the Oscar®-nominated superhero epic’s visual effects challenges.

2013 VFX Bakeoff: Grounding the Fantastical

By Bill Desowitz | Friday, January 4, 2013 at 4:40 pm
Posted In | Magazines: VFXWorld | Site Categories: 3D, Awards, CG, Events, Films, People, Technology, Visual Effects
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Here's a rundown of the 10 films from last night's VFX Bakeoff presentations at the Motion Picture Academy.

Software Review: Nuke 7

By Daniel Molina | Friday, January 4, 2013 at 8:45 am
Posted In | Magazines: VFXWorld | Site Categories: 3D, CG, Technology, Visual Effects
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Digital compositor Daniel Molina takes a look at the Foundry’s latest Nuke release.

All The World’s a Virtual Stage in Disney’s New Camera Capture System

By Dan Sarto | Thursday, January 3, 2013 at 3:07 pm
Posted In | Magazines: VFXWorld | Site Categories: 3D, CG, Films, Technology, Visual Effects
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Disney redefines animation layout, staging and visual development with their paradigm-changing virtual camera system.

Software Review: CINEMA 4D R14

By Bret Bays | Wednesday, December 12, 2012 at 11:33 am
Posted In | Magazines: VFXWorld | Site Categories: CG, Technology, Visual Effects
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Key rendering, modeling and camera enhancements along with new sculpting tools make this a robust and worthy upgrade.

I’ve Been Workin’ on the Railroad

By James Gartler | Friday, December 7, 2012 at 2:15 pm
Posted In | Magazines: VFXWorld | Site Categories: CG, People, Technology, Television, Visual Effects
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FuseFX Co-Founder Jason Fotter explains why visual effects work can be Hell on Wheels.

Bond Gets a CG Komodo Dragon for Skyfall

By Bill Desowitz | Tuesday, November 27, 2012 at 9:38 am
Posted In | Magazines: VFXWorld | Site Categories: CG, Films, People, Technology, Visual Effects
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Cinesite's Jon Neill discusses creating the first CG character for the Bond franchise along with other VFX mayhem.

Life of Pi: Grabbing the CG Tiger by the Tail

By Bill Desowitz | Monday, November 26, 2012 at 5:28 pm
Posted In | Magazines: VFXWorld | Site Categories: 3D, CG, Films, People, Technology, Visual Effects
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Bill Westenhofer of Rhythm & Hues discusses the VFX secret to Ang Lee's Life of Pi.

Bringing Horror back to Little Shop

By James Gartler | Tuesday, November 20, 2012 at 2:22 pm
Posted In | Magazines: VFXWorld | Site Categories: Films, Home Entertainment, People, Technology
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WB’s Kurt Galvao on the creation of The Director’s Cut decades in the making.
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