Small Studio/Home Studio: An Overview of Low-End Computer Aided Animation Choices
Computer-aided
animation has truly come into its own in the 1990s: from computer multimedia
and games, to television commercials, all the way up to animated features
like Toy Story, A Bug's Life, and Small Soldiers and
animated TV series like Reboot and Beast Wars. However, most
of these cited examples use very expensive equipment, like Silicon Graphics
workstations, and either custom software like that used at Pixar or expensive
packages like Softimage 3D, once distributed by Microsoft and now distributed
by Avid, which runs over $10,000 U.S.
However, things are beginning to change in both large animation studios and
smaller outfits. Programs like 3D StudioMAX by Kinetix are running on high-end
WindowsNT workstations with eye-popping results, and Lightwave3D by NewTek
has made incredible inroads in both WindowsNT and Power Mac shops. In both
cases, the machines that run this powerful software are heavily "tweaked,"
with massive amounts of RAM and large arrays of super-fast hard drives that
cost large sums of money. These more reasonable software packages are only
more reasonable by degrees: 3D StudioMAX costs $3,500 U.S. per workstation,
and Lightwave3D costs $2,000 U.S. per workstation.
2-D animation packages are similarly in the stratosphere. Disney uses its
own proprietary scanning, inking, painting and compositing program, called
CAPS. Other major studios use packages like Softimage Toonz and Cambridge
Systems' Animo, which require high-end SGI or WindowsNT workstations to use.
Softimage Toonz is $13,000 per workstation, and works on SGI and high-end
WindowsNT workstations. Cambridge Systems' Animo only runs on SGI and high-end
Intel workstations running NeXTStep, and checks in at U.S. $9,000 per license.
The fact is, however, that less expensive, off-the-shelf PCs and Macintoshes
can be used for professional results in computer-aided animation. In the past
few years, 3-D packages as inexpensive as $200 have emerged to allow students
and animators who want to do their own independent projects to create very
attractive and fluid animation. Because of the more specialized nature of
2-D paint and compositing software, there are no packages of this kind to
match such a low price point. However, for between $500 and $1,300 U.S. per
license, very powerful 2-D programs are available, and one can only hope that
with more and more people looking to do animation projects on personal computers
that lower priced programs will emerge.
To run most of the programs we will be mentioning in this overview, one needs
a good, strong computer system, be it on the Mac side or the PC side. Macintosh
of course tends to run significantly more expensive, but the Mac's superior
ease of use and its OS-level support for sophisticated color graphics and
color control make it highly recommended for these sorts of applications.
However, with intelligent use of third party programs and attention paid to
enhancing the video subsystem, a PC running Windows95 or Windows98 is competitive
with the Macintosh for these operations; and in some cases there are no Mac
versions of these programs, particularly in the case of AXA Personal Edition,
a well-recommended 2-D paint and compositing package.





















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