From Sketch Pad to Mouse Pad: The Entertainment Industry Enhances Architectural Design

J. Paul Peszko investigates the growing uses of 3D software in architectural design.
Posted In | Magazines: VFXWorld

Since architects can be just as demanding as motion picture animators in terms of the levels of quality they desire from their renderings, the choice was made to incorporate mental ray into Autodesk VIZ. “Sure, it’s a shader-based language, and it’s very complicated,” states Campbell, “but we actually found a way to present it to architects so that it was useful to them. And now they’re finding that they can get larger renderings and more fidelity out of their renderings because of the technology that was developed only for the film industry.”

Campbell explains that the fundamental difference in architectural usage is in the sales process. “It’s all a part of getting the buy off in the customer’s mind. The closer it [the rendering] is to reality and the closer It actually looks to how it [the structure] will look when it’s actually built makes them see the light a whole lot faster. And this can include trees blowing in the wind, and people walking through buildings and fountains outside with water gushing out. And even for taking a million dollar mill you want to build and visualizing it within the factory of a client, you really get it when you see a great visualization. It’s something you can interact with. You can say, ‘Hey, what’s it look like from over there? And what if the lights are blue?’”

Kohn Pedersen Fox’s strong body of work has earned the firm recognition as one of the most respected architectural design firms in the world. KPF has been the recipient of numerous awards recognizing their wide range of design and technical accomplishments. Its varied projects for clients in both the public and private sectors have included design and planning on such facilities as IBM World Headquarters, Capital Cities/ABC Headquarters, the Shanghai World Financial Center, Munich Airport, Philadelphia International Airport and the World Trade Center Redevelopment to name but a very few.

Thomas Brown, design technologies manager at KPF, points out how Discreet’s software has given his firm a competitive advantage when it comes to client presentations. “KPF chose Discreet 3ds max and combustion software to give us a design tool to allow us to explore our designs in a way that is consistent with our vision, the competitive advantage when helping our clients and new business prospects visualize their project, and giving them great insight into what our talented architects and designers can do.”

There are also practical aspects to design visualization software other than client presentation. “Any project will benefit from having design visualization,” Campbell says, “but it certainly becomes important when you have complex buildings or projects that are on very sensitive sites, where, for instance, the community is very concerned about how tall a building is and how large a shadow it’s going to cast on adjacent structures. Or, if you’ve got unusual geometry like Frank Gerry’s architecture. It’s becoming so commonplace these days that almost every project that’s being proposed is presented with visualization software. You almost never see water color and pencil sketches any more.”

Like 3ds max, combustion is another outgrowth of the film industry that allows a designer to make alterations without totally re-rendering. “combustion is a very mature workflow that enables you to compartmentalize your renders so that you do not have to re-render the whole thing when you want to make a change,” Campbell explains. “Let’s say, for example, I wanted to take one particular building and change the material on it slightly. Well, using combustion with either Autodesk VIZ or 3ds max, I’m able to keep my background plate as it is. I’m able to keep the other buildings I’ve got in the compound already rendered, and re-render that one building only and comp it back into the rendering.” combustion will work seamlessly with either 3ds max or VIZ.







Comments


www.3dsalon.com: What is a Professional 3D? Nowadays, there are plenty of 3D images available. It seems for us most of them are not professional from the 3D point of view since they are performed with the aid of specialised software, ie ArchiCAD, AutoCAD, etc. Such software cannot require full scale knowledge of 3D from users, eg architects, engineers, therefore, its 3D instrument pallets make up only one hundredth part of the total number of pallets pertaining to general purpose 3D software. Here, satisfactory 3D can be achieved within the limits of the programme’s particular settings. A 3D professional works within one of the basic general purpose 3D programmes. They can achieve satisfactory results anyway and for any style. This is very important from the practical point of view. We received orders to alter quite a number of 3D models made with the aid of ArchiCAD, AutoCAD and 3D Max. Of course, a few special cases require the highest grade of realism. The Client is mostly time and money-limited. Quite frequently, our full potential is not needed at all to get the full idea of what the object is actually expected to look like. Some architects sought our tutorship. Shortly after we started they tended to look like motor-cyclist in an airliner cockpit, ie ‘there shall be an accelerator somewhere around here, but where on earth ?..’ At the latest, by the third class, they said ‘we’d better pay for your 3D, but will remain architects…’ We believe there’s much more point creating an architectural extension within a general purpose 3D programme rather than trying to reach the heights of 3D technologies within a specialised software. We have a set of our own plug-ins written with a script, which actually make up the extension in reference in our particular case. This helps expedite our work a great deal. Very few have a true idea of a 3D professional’ s speed. Summing it up, one can deem themselves a 3D professional (for static objects) if they are able to reach any level of photorealism in any case. No more 3D schemes! Would you believe that a serious Client shall have the right to see what are they paying for? Master of 3DSalon Michael Ostreuss.
Michael Ostreuss (not verified) | Fri, 07/16/2004 - 00:00 | Permalink
Umm, me thinks the author has it backwards on this topic. 3d modeling is an offshoot of developments in architectural software, not the reverse. Cheers, Mrmaps.
Douglas Gann (not verified) | Mon, 07/12/2004 - 00:00 | Permalink

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