The creators of the latest SpongeBob special "WhoBob WhatPants?" talk about the many sides of everyone's favorite animated invertebrate.

For Body of Lies, the latest spy thriller by Ridley Scott, Sony Pictures Imageworks goes into stealth mode, but Jack Egan uncovers the vfx secrets.

There's no stopping this Terminator, as Tara Bennett reports on the new animation and lighting tricks for the second season of TSCC.

Gil Kenan talks about transitioning from Monster House to City of Ember and all the technological and aesthetic challenges it posed.

Janet Hetherington chats with producer Max Howard about Igor, the new animated feature whose protagonist is as independent as the company that made him.

Variety being the spice of life, Peter "The Rizk" Rizkalla exposes himself to Star Wars: The Force Unleashed, Mercenaries 2: World in Flames, Galaga Legions and N+.

Ellen Wolff discovers how Tippett refines its Furrocious tool and throws in a few other advancements for Beverly Hills Chihuahua.

Sony Pictures Imageworks tackles Eagle Eye with the aid of a new in-house renderer called Arnold, and Thomas J. McLean finds out how it helped with attaining a real-world look.

Marking Maya's 10th anniversary with the release of Maya 2009, Ellen Wolff chats with Autodesk's Kevin Tureski about the key highlights of the ubiquitous 3D animation software.

Andrew Farago reviews four short films: A-Z by Sally Arthur, The Gloaming by Andy Huang, KJFG No. 5 by Alexei Alexeev and Skhizein by Jérémy Clapin.