UrbanEntertainment: Siting A Skyline Across The Net
City Scaping The Future
Jenkinson excitedly talks about the upcoming 'version two' of
the UrbanEntertainment site. "It will definitely incorporate
much more community and much more opportunity for feedback and, even
to some extent, interaction with the more popular characters,"
he says. He believes audience response is increasingly vital to their
operations not only because of its helpful direction for the shows'
creators, but it gives the company valuable data with which to arm
themselves when they go out pitching their shows for offline possibilities
to the television and feature studios. What sets UrbanEntertainment
apart from so many of the struggling destination venues is that --
because of their offline sales and distribution of films -- they have
had a solid revenue stream from day one. As their online offerings
expand, however, Jenkinson is naturally looking closely at developing
all other revenue potential including syndicating their series as
re-purposed programming (e.g. for interstitials), rich media advertising,
sponsorships and product placement opportunities. Additionally, the
company is involved in several proof-of-concept structures where they
will be providing content to emerging technological platforms -- thereby
positioning themselves and creating the relationships that will ensure
them an early place in tomorrow's entertainment environments.
The important consideration in building a new online forum, Jenkinson
thinks, is in how to approach both long and short term assessments.
"Every decision becomes that much more complicated because you're
dealing with rapid obsolescence and opportunities you'll have to forego
if you're already locked into something else." He concludes that,
"The biggest challenge that faces all of us is the ability to
maintain flexibility and scaleability while at the same time putting
into place things that make for a viable and long-lasting enterprise."
New challenges notwithstanding, Jenkinson is having a great deal of
fun working within the new freedoms of Net production. "Here,
we make things and immediately get feedback and so the process feels
so much more productive than anything that I'm accustomed to. It's
very exciting to get up in the morning knowing that I'm going to achieve
something today. It'll either be great or it'll be bad," he laughs,
"but at least I'll know it very soon!" Devoted viewers can now be heard offline mimicking the signature
closing for each Cisco and Ripple movie review, where the duo
asks the audience: "Who can you trust?" In rolling
out its daring, energetic and innovative programming, the brothers'
very own Netcaster, UrbanEntertainment, is assuredly answering the
call. Lee Dannacher, currently based in New York, is a supervising producer
and sound track director of over 350 half-hours of television animated
series, along with numerous home video and film productions.
























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