UrbanEntertainment: Siting A Skyline Across The Net
An Urban Dream Although valuing his experiences there, Jenkinson became more and
more frustrated over the limitations of shepherding ethnic related
projects through the entrenched studio systems. The Web's landscape
during the fall of 1998 was pivotal, then, to Jenkinson's next move.
Online trading services like Schwab and E-Trade had just hit their
stride and Jenkinson, having always been fairly active in the stock
market, says, "In doing my research for investment purposes,
I focused on Internet entertainment companies." He recalls, "It
wasn't hard, if you were paying attention, to see that something really
fundamental was happening to the way we communicate and entertain
ourselves and conduct commerce. It became a really appealing time
to do something entrepreneurial, which was always part of my plan.
I felt that I had a pretty well-rounded background that would lend
itself to allowing me to start something -- the legal background,
the business background, as well as the creative entertainment experience.
It just seemed like an irresistible time and so I launched UrbanEntertainment."
A Canadian by birth, Michael Jenkinson ventured through several
different landscapes before launching himself onto the Internet frontier.
After working as an attorney with the Federal Department of Justice
in Toronto, he obtained an MBA from the prestigious Ivey School of
Business and subsequently spent a year working in the financial industry
for Chase Securities in New York. Embarking on a new career path,
Jenkinson then crossed back over the border to become a resident producer
in Norman Jewison's Canadian Film Center where he spent the next year
in intense and immersive studies of the entertainment world. Wanting
to be at the "epicenter of the activity," he struck out
for L.A. and quickly landed an intern position at 20th
Century Fox. In the ensuing six years, Jenkinson rose first to VP
of Acquisitions before moving over to work as Fox's Vice President
of Development and Production.
Enlisting award-winning independent producers Nichelle Protho (VP
Programming and Production) and Angela Northington (VP Acquisitions
and Development), Jenkinson opened shop in the early summer of 1999.
They began in earnest acquiring the many African-American films he'd
screened over the years which had not been picked-up by the majors
or mini-majors with the plan to distribute them primarily to outside
video and TV venues. As a marketing gimmick, the trio started the
company's first Website UrbanMedia.com where distributors, armed with
a password, could access information to Urban's catalog, screen trailers
and in some cases, even view the full-length motion pictures. The
novelty of selling features online "certainly got us the attention
we needed," Jenkinson remembers, "...and as a spin-off,
I found that I was getting a lot of traffic from individuals that
weren't in the business, who weren't distributors, and they were constantly
e-mailing saying, 'How can I watch the movies?' That gave me the idea
-- why don't I try to service that traffic? And so I started
to buy short films, as well, making those available for everybody
to watch on the site."

























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