UrbanEntertainment: Siting A Skyline Across The Net
Sliding into the 21st Century,
the word 'urban' remains synonymous with 'hip.' If it's urban -- it's
appealing, fresh and hot. And if it's UrbanEntertainment.com, it is
way hip and getting hotter each month as the vibrant dot-com
paints a fresh skyline across the Net. Beginning in July of '99 as a B2B Website specializing in the distribution
of black independent films, UrbanEntertainment has since evolved into
a bona fide destination site featuring acquired and original fare
targeting the African-American audience. CEO, Founder and President
Michael Jenkinson has attracted the best and brightest of the industry's
established black directors, writers, producers and actors who are
looking to shape bold artistic turf on the new media stage. In record
time, UrbanEntertainment has become a showcase for contagious comedy
and on-the-edge drama. Although set-up to service the under-represented
niche of black viewers, UrbanEntertainment's programming has, in reality,
left no ethnic or non-ethnic viewer by the wayside in its presentation
of shows with strong crossover audience appeal. Taking It To The Street
Today, the young company boasts a burgeoning library of live-action
features, shorts, celebrity interviews and now includes five original
animated series that have rolled out over the past eight months. The
first to debut last March was Undercover Brother from the prolific
veteran John Ridley, whose striking resume includes writing the Gulf
War drama Three Kings, writer/director of Cold Around The
Heart, and current producer/ writer on NBC's Third Watch.
For UrbanEntertainment, Ridley's riotous blaxploitation series chronicles
the exploits of an afro-sporting, '70s Shaft-type action hero
working undercover for a secret organization to "level the playing
field for African-Americans." Becoming an instant Web hit, Undercover
Brother soon sparked a Hollywood bidding war for the property's
offline rights. In May, Jenkinson and Ridley made Internet history
by inking a deal with Imagine Entertainment and Universal Pictures,
making this the first Net-borne project to get picked up for the theatrical
marketplace. Jenkinson and Brian Grazer of Imagine will produce, with
Ridley writing and exec-producing the live-action film.
Also last spring, the nascent dot-com launched the comic A.J. Jamal's
popular Pookie Poo series that centers on a fast talking, street-wise
hustler operating on the game show circuit. On the darker side, established
scribe Ben Ramsey (The Big Hit) premiered his dramatic series
entitled The Contract, which follows the life of a professional
assassin as he struggles with inner, and literal, demons. Then the
very hip and funny Cisco and Ripple went live as UrbanEntertainment's
weekly series for movie reviews. Written and voiced by A.J. Jamal
and fellow comedian Spencer, Cisco and Ripple stars two brothers
'straight from the hood' who give us -- with a decidedly urban attitude
-- their timely critiques on today's current movie premieres. UrbanEntertainment unveiled their fifth original series Sistas
'N The City at the end of October, created by well-known writer/producer
Tina Andrews (scripter and producer of the theatrical Why Do Fools
Fall In Love, writer/producer of the TV miniseries Sally Hemmings:
An American Tragedy and writer of the recently aired CBS miniseries
Jaqueline Bouvier Kennedy Onassis). Andrews' comedic and sensitive
Sistas revolves around the lively world of four young, self-sustaining
black women living in Chicago and what they go through in their day
to day life dealing with men, family, money and jobs. Challenged by
the huge numbers of people now logging on to the site, Andrews says
of her new Net audience, "I want them to be able to come away
with something funny, something sort of 'bad,' something sort of wry,
something raunchy on occasion -- and something educational."
All five of UrbanEntertainment's current series Netcast loud and clear
the budding company's aim to serve up fresh ideas and content we would
be hard pressed to find anywhere else.
























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