The Prince of Egypt: DreamWorks' Biblical Epic
One of
my great loves in life is the artform of animation. It has lifted me, moved
me, transported me and claimed much of my working life. So when anyone or
any studio undertakes the creation of an animated film, my very best wishes
go out to them...for if they succeed, it is a success for all of us in the
world of animation and if they fail, it, likewise, is a failure for all of
us.
I believe that the animated film is still in its infancy.
The possibilities for this magical medium are limitless. It seems obvious
that animation can and has rocked cradles and entertained young audiences
very well, but there are many (myself among them) who feel very strongly that
this genre of entertainment is in no way limited to children. That is why, if you'll forgive this rather lengthy
introduction, I have looked forward to The Prince of Egypt with the
greatest anticipation. When one considers the time, subject matter, budget,
and talents involved with the men creating this film (Steven Spielberg, Jeffrey
Katzenberg and David Geffen) how could the wonderful world of animation expect
anything less than pure magic, emotion, and maybe even a film that will explore
new heights and open up new possibilities for our artform.
I cannot remember ever looking forward to any animated
film with such excitement and hope, first and foremost because I consider
Steven Spielberg one of the best storytellers in Hollywood. I will forever
be grateful for E.T., Raiders of the Lost Ark, Schindler's
List, and Saving Private Ryan. Thank you Steven Spielberg. You
made me laugh, you made me cry, you've kept me, and countless others, spellbound
on the edge of our seats while you entertained us with your marvelous storytelling. When I left the theater after seeing The Prince
of Egypt, I was angry. I felt let down. I felt the charge to advance the
animated film had been fumbled. Not that there isn't exquisite artwork, great
animation and camera work -- the likes of which the animated film has never
seen before -- but none of that really matters if there is not a compelling
story. Prince is all the very best icing, but underneath, there's no
cake. It really doesn't matter how eloquently you say nothing, you've still
said nothing, and Prince says "nothing" very well and with
a lot of hype.
But I regret to say, this time I was not entertained, and it all boils down
to one thing -- and that is the thing Steven Spielberg seems to do best --
"story." The Prince of Egypt skips over the true meat of
the story of Moses in favor of special effects and action.
Basically like a live-action film, this is a film about breath-taking special
effects, but if you've seen the trailer you've seen the best parts of the
movie. It somehow seems that the life of Moses and the Book of Exodus
has more to offer than a couple of teenage kids (endlessly) drag racing in
their chariots and the parting of the Red Sea. The characters had little to
do with the way they are presented in the Bible. Now, that doesn't
bother me so much, as long as the characters are amusing, entertaining and
compelling, which these were not. I think this is because rather than placing
the emphasis on plot and personality, the emphasis is on action.

























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