One Divided By Two: An Emotional Equation

Emru Townsend reviews Joyce Borenstein's new film that captures the pain of divorce through children's eyes by using both live-action and animation footage.

Download a Quicktime movie of a scene from Joyce Borenstein's short animated film, One Divided by Two. © Joyce Borenstein. 1.3 MB

There was a time, it's been said, when divorces were rare and people married forever. Times, of course, have changed. Divorce and separation have become more acceptable, to the point where it's not unreasonable to suggest that everyone has either been through a divorce or knows someone who has. We see and hear about divorce all the time; alimony payments, remarriages, and custody battles are the stuff of news, celebrity gossip, and stand-up comedy. In fact, the NBC sitcom Veronica's Closet milks the divorce proceedings of the title character to no end.

But somewhere amid all the laugh tracks, we know that divorce isn't funny. Two people who planned to build a life together find themselves at odds, and end up trying to salvage what they can as they simultaneously break down what they endeavored to build.

Or so you'd think. What many people forget is that divorce isn't always about two people; sometimes it's about three, four, or five. Most people don't mention that children are often lost in the shuffle when it comes to divorce; when they do, it's rarely more than the platitude that divorce is hard on children.

Joyce Borenstein's latest film, One Divided By Two, provides an antidote, giving us a unique look into the lives of children affected by the divorce of their parents.

An Animated Documentary
The 24-minute film began life as three short stories written by Edeet Ravel. Based on her own divorce, the stories were a fictionalized version of her child's perspective of the experience. Ravel brought her stories to Borenstein, who contacted Rhona Bezonsky-Jacobs, a psychotherapist who specializes in children who have lived through their parents' divorce. Together, the three decided to make a film, interviewing dozens of children between 8 and 18 for their source material.

In One Divided By Two, thirteen of these children offer their points of view on their parents' divorces. Loosely organized by subject matter - for example, anxiety over losing a parent, fear of not being in a "normal" family, or dealing with being "shared" by divorced parents - live-action footage of the children's comments are intercut with longer stories being presented as animation. Borenstein, who similarly combined live-action and animation for her short film The Colours of My Father which received an Oscar nod in 1993, sees nothing incongruous in creating a documentary based on real events through animation. "I wanted to erase all boundaries between genres," she says. "Or at least try to."

A Simple Style Tells All
The animated segments, essentially rewritten composites of interviewed children's stories, are the heart of the film. Borenstein brings these experiences to life using simple, elegant images that evoke a child's simplified world view. The style was born of both aesthetic consideration and economic necessity. Says Borenstein, "I tried to simplify as much as I could, to get the essence. It creates a certain style that I like, but it's [also] very efficient, and it's economical. I had a limited budget and time, and... it was a very small crew, so I had to think of simplifying the visuals and one way was to leave the non-essential things out. I worked at the beginning of the project to hone the designs down to just the essential lines. Most of the line tests, which were just pencil on paper, became final artwork, which we just cleaned up."





















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