Wide-eyed Billy is in an abusive relationship with his balloon. © Don Hertzfeldt.

Just in case the audience got a little too relaxed watching Busby, Spike follows it with Billy's Balloon, a film that this reviewer feels is (ahem) far better suited for Spike & Mike's Sick and Twisted Festival. Simple line drawings depict a child holding a red balloon that proceeds to come to life and beat the kid senseless. Fans of the gruesome can look forward to the next Sick & Twisted in August, which will include this film in good company with Hut Sluts and Home Honey I'm High. However you see it, director Don Hertzfeldt (Lily andJim) is a true, if twisted, talent that we will likely be seeing more of.

Hum Drum is one of those rare films that makes you wonder, "How did they do that?" Created by Aardman staffer Peter Peake, the film depicts two bored friends (are they monsters? humans?) only in the form of shadows. It was created by filming the shadows cast on textured paper by detailed silhouette cut-outs. The innovative technique and funny British voice-overs save the somewhat predictable story, which is along the lines of Jon Minnis' Charade.

Man With Pendulous Arms is a bizarre little film that you can almost fit in your pocket. Rather than a typical story with a "beginning, middle, and end" the film is more like a window on an alternate reality. The only character is -- you guessed it -- a man with extremely long tentacles for arms. He quietly shuffles through the city streets and, in another play on shadows, we see fluid animation of his shadow seemingly creating the moon. Surprise! The end.

The Art of Survival is a funny computer-animated cartoon created by a group of students at the University of Washington. It tells the story of a chameleon that just can't get the hang of camouflage, and ends up being discovered by a beatnik artist and becoming a big hit in the art world.

An encore screening of Marv Newland's 1969 cult classic, Bambi Meets Godzilla is followed by the debut of Son Of Bambi Meets Godzilla an obviously unauthorized spoof on the original, by video game animator Eric Fernandez. However clever the idea, the computer animation is shoddy at best, and hardly seems worth the expense of transferring to film, which Mellow Manor paid. But then again, this type of film doesn't really need sharp animation to get a chuckle from the audience.

Vfx/Carrhot is the computer animated story of a pear-shaped creature that rents a porno video about a sexy carrot being molested by a remote control named Humpfrey. Animators think of the craziest things. Need more proof? The Romance Of My Heart by French director Solweig von Kleist is an enchanting art piece starring flying lingerie and music composed by patterns of birds on telephone wires.

Bingo, by resident Alias|Wavefront genius Chris Landreth, is a film whose main purpose is to display the capabilities of the Maya software. Based on an absurdist play, Bingo is a catchy (you'll be saying "Hi, Bingo" for days), funny film that was surprisingly not nominated for an Oscar.

Closing the festival is recent Oscar winner Bunny by Chris Wedge of Blue Sky Studios, the talent behind the sensational dancing cockroach scenes in MTV's feature, Joe's Apartment. In contrast, Bunny is a slow and deliberate film that leaves audiences wondering what happened, but inside feeling warm and fuzzy. The texture and lighting effects are awe-inspiring and a perfect example of the blurring line between CG and traditional animation.

All things considered, it is a well-rounded festival. Check it out at a theater near you. If you're in the right city, Spike may make an appearance in one of his famous pre-show stage romps, which he is still doing, even though his sidekicks, Mike Gribble, and his balloon-chomping dog Scotty, have both passed away. Rest in peace.

Videotapes of previous editions of Spike & Mike's Festival of Animation may be purchased in the Animation World Store.

Wendy Jackson is a Los Angeles-based writer, consultant and educator specializing in animation. Her articles on the subject have been published in Animation Journal, Animation Magazine, ASIFA News, Cinefantastique, FPS, Television Business International and Variety, as well as Animation World Magazine, where she was formerly associate editor.