Home of the 3D Thrills
Universal
City 1999 A.D. Sent by my curiosity, three friends and I ventured
forth in search of a new thrill. The location chosen was the Universal
Studios Hollywood Terminator 2 3D attraction.
After being ushered into a large waiting
room, a very chipper employee of Cyberdyne, creators of the Terminator
cyborgs, show us a wonderful propaganda film on how the company
will better enhance the world and our lives. But wait, what's this?
The broadcast is interrupted. Our chipper host runs around in a
panic. On the screen flashes Sarah and John Connor, played by Terminator
2 stars Linda Hamilton and Edward Furlong. After the Connors
warn us of Cyberdyne's Big Brother-like Skynet program, our quickly
collected host moves us into a stadium theatre where animatronic
T-70 Terminators rise from the floor. However pandemonium soon breaks
loose when new live actors playing Sarah and John Connor rush into
the theatre in an attempt to destroy the corporation's world domination
plans. All is not safe when the T-1000 Terminator leaps from the
165 foot screen ready to waste us and our heroes. But that's not
all! Exploding forth on a 1,500 pound Harley Davidson "Fat
Boy" motorcycle comes the T-101 Terminator (i.e. an Arnold
Schwarzenegger look-a-like) to save the day. He grabs John Connor
and rides off into the screen. So begins the most expensive frame
for frame live-action film of all time. Moreover, it's all in 3-D.
Three sets of Iwerk twin-arranged 65mm cameras
are used to project the film on three 23' x 50' screens. This array
creates a 180 degree visual surface, plus a state-of-the art sound
system blasts 45,620 watts of sound through 159 speakers, as actors
Furlong and Schwarzenegger ride along a futuristic wasteland with
the camera sweeping through explosions. This feat of camera work
has never been done in 3D films before due to the difficulty of
moving the 450 pound cameras used to film in 3D. Oscar-winning director
James Cameron, Oscar-winning visual effects specialist Scott Winston
(Jurassic Park and Aliens), and Oscar-winning visual
effects specialist John Bruno (The Abyss) created an intricate
pulley system that allowed the camera to move up to 50 mph. Forty-seven
digital artists from Venice, CA-based Digital Domain, Inc. worked
with the co-directing team of Cameron, Winston, and Bruno to create
the film. Cameron even elicited aid from Dr. Ken Jones of NASA's
Jet Propulsion Laboratories. Even the big man himself, Arnold Schwarzenegger
says, "What we have created with T2 3D is the quintessential
sight and sound experience for the 21st century."

























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