If you’re a real geek, you’ll giggle every time the name of a comics creator is dropped as the name of a character or place. You’ll smile knowingly at DD co-creator Stan Lee’s traditional cameo appearance. You’ll grip the arms of your chair as you wait for the inevitable outcome of the battle between Colin Farrell’s Bullseye and Jennifer Garner’s Elektra. And you’ll love the Braille motif that starts with the opening credits and continues throughout the entire film.

Indeed, if you’re a fan of the comics, you’re probably already out seeing Daredevil a second or third time. You’re probably already reserving your DVD.

Sure they are pretty…but is there any real chemistry?

But…
If you’re not a fan of the comic…I dunno.

As the movie unfolded, I tried to put out of my mind all I knew of the character and his world. I imagined just being a fan of action-adventure movies coming in cold to see this film. And when I channeled that person, I was pretty perplexed.

Maybe a person like that would go in thinking: “Hey, I liked the Spider-Man movie. After all, Danny Fingeroth gave it a rave review on AWN. And isn’t Daredevil also based on a Marvel comic? Maybe I’ll like this, too.”

But what you are given is a guy who is dressed in what looks like a Joel Schumacher Batman costume reject, who — despite apparent agility and enormous acrobatic skill — moves, in some shots, like Robocop. This Daredevil is a character who, despite thinking of himself as a hero, is really more of a sadistic vigilante who thinks nothing of meting out punishments that, even if you could argue don’t outweigh the crimes, certainly are not his business to be meting out.

What most people remember about super heroes is that they traditionally capture their adversaries and let the police sort out whether the evidence merits conviction of whatever degree. While comics have certainly darkened in tone over the years, and there are anti-heroes such as the aforementioned Punisher who regularly mete out punishment, capital and otherwise, Daredevil has not been such a hero. (Sorry — geeked out there for a second.) Nonetheless, as a civilian entering the theater, my feeling would be: “Here’s a really sick guy, a guy in some ways worse than the criminals he hunts. Why should I feel any sympathy for this devil?”

Daredevil seems to be pondering his own soul as well – super hero or ruthless vigilante?

Yet, you’re supposed to. When he basically stalks Elektra, her response is to battle him (lucky thing she’s a martial arts expert), defeat him and later hunt him down to continue their tryst. Could be kinky and fun. Problem here, really, is the lack of much actual chemistry between the stunningly good-looking leads.

So we have a movie full of neat stuff and quirky characters — Joe Pantoliano’s outstanding Ben Urich is accessible to a civilian and also consistent with the comics version — that in the end just doesn’t jell. It’s one of those movies that (for a non-geek) is more fun to remember than it actually is to sit through. And the Favreau-Affleck scenes are simultaneously hilarious and moving — these two have the best chemistry in the movie.

Not that watching Daredevil was torture. But in the way that Spider-Man and X-Men managed to hit the comic geek notes and still retain enough thematic and story interest for a general audience, Daredevil seems to often miss the mark. There are stretches where your attention wanders.

If you go into the theater a DD fan, you’ll definitely leave wanting to go reread your collection, especially the Frank Miller runs. If you’re not a fan, you may well have forgotten the movie by the time you get home.

And for you comics geeks with girlfriends or boyfriends — yes, they actually do exist — you may get your significant other to go see Daredevil with you once. But I’m betting you’ll be at the second and third viewings on your own. Hey — at least it’ll save you a few bucks.

Danny Fingeroth, veteran Marvel Comics writer and editor, led the company's Spider-Man line, as Group Editor, during its highest-selling years. Danny has also created, developed and written comics and animation for AOL-Time Warner, Showtime Online, Visionary Media, Brilliant Digital Entertainment, and Byron Preiss Multimedia. Currently, he is the creator and editor of Danny Fingeroth’s Write Now! Magazine, a highly acclaimed publication about writing comics, animation and science fiction, published by TwoMorrows. Danny’s Backstage at an Animated Series, from Scholastic, is now on sale. He is also at work on Superman on the Couch: What Super Heroes Really Tell Us About Ourselves and Our Society, to be published in 2004 by Continuum.