If you have the QuickTime plug-in, you can download a QuickTime clip of Sunrise Over Tianamen Square. 1.1 MB.

If you have the QuickTime plug-in, you can view a clip from Shui-Bo Wang's Sunrise Over Tiananmen Square. © National Film Board of Canada.

A few days before I was asked to review this film, one of my colleagues at Chapman University asked me for examples of kinesthetic animation (animation made with camera moves over still art) to show to his production class. I had in mind a short list of videos we own, including Chris Marker's La Jetée and some films by Charles and Ray Eames. After seeing Sunrise Over Tiananmen Square, I have another great example for him.

Kinesthetic animation can be tedious to watch because pans and zooms tend to tire the viewer after a short while. But this Oscar-nominated film (Documentary Short Subject), directed by Shui-Bo Wang at the National Film Board of Canada, is so much more than its technique. I found its 29 minutes of footage very compelling, both because of the topic and the way in which images -- both photos and illustrations, some of which are animated -- are captured on film.

One Family's Story
Sunrise Over Tiananmen Square is an autobiographical account of its director's life in China, from his birth in 1960 to his departure from the country in 1989. Actually, the story begins long before that, reaching back as far as the Opium Wars of the mid-1800s, used to illustrate a significant historical moment in China's relationship with 'the West.' Even more emphasis is given to the life of Shui-Bo's grandfather, who joined the Communist Party, divorcing his first wife to marry a government worker who shared his political views.

There are two reasons why this documentary is so fascinating to me. One is my brief direct contact with Chinese culture, when I visited the country in 1988, a year before the Tiananmen Square massacre, and was so impressed by the many students I met and spoke to about American life. This encounter was continued to some extent in graduate school, when a friend told me of her life during the Cultural Revolution in China, being sent to a work farm, as well as the way in which the government followed her actions as a student revolutionary and daughter of Chinese intellectuals. Hearing Shui-Bo's account of his experience made these memories return to me quite vividly.

Director Shui-Bo Wang. Photo: Jean-Pierre Joly.

But, on a general level, this film is fascinating for the way it talks about political ideology, dreams, and realities in a such a candid way. Shui-Bo explains the reasons why he was attracted to the Communist Party as a child, which was due in part to government propaganda that told of little children in the West freezing in the streets and starving due to poverty. But, at the same time as he reveals his ardent desire to be a member of the Red Guard Army and fight against Democratic (American) oppressors, he also reveals the oppressive and cruel nature of his own government. He mentions that his parents gave away his pet goldfish because it was considered bourgeois to own a pet, and the massacre of thousands of people, including members of his family. Shui-Bo seems to make all of his remarks with about the same emphasis and without any particular condemnation of the Party or its leaders, relying on a combination of drawn illustrations and photographs to tell his story.