In a city not so far away...

The biggest comic book industry convention in the country brought industry professionals, as well as fans, from all over the world to San Diego to check out the latest and greatest. All of the comics industry's biggest names were at Comic-Con International in San Diego held from August 13-16, 1998. Marvel, DC and slews of others were all there publicizing their own projects and scoping out their competition. More than 600 exhibitors made up of not just comic companies, but also toy and T-shirt companies and smaller collectible shops, filled the massive, futuristic convention center. One related industry, however, was somewhat lacking in presence and that was animation.

Then and Now
In past years, various animation studios and networks have used Comic-Con International as a marketing tool. Two years ago, Cartoon Network set up a large, cube-shaped, walk-in booth complete with interior ramps that led attendees past walls covered with mounted television sets and character and prop designs. The designs were from one of the Cartoon Network's latest shows, Jonny Quest. The television sets ran episodes from another one of the network's new programs, Dexter's Laboratory. This was the Cartoon Network's way of really getting attention from fans and competition alike.

The San Diego Convention Center was the hub of comic activity. Photo courtesy of Pete Nicholls.

This year there were comparatively few exhibitors representing the animation industry that actually set up booths where one could leisurely stop by, ask questions and learn more. HBO Animation was there, along with Hash Inc., Animevillage.com and a few others. Hash was showcasing their new, and quite impressive, 3-D animation software Animation:Master with a live demo on a PC. Animevillage.com had a rather large, walk-in booth that, although not as big or elaborate as Cartoon Network's "Quest Cube," was quite grand nonetheless. There were also exhibitors like DC and Bongo Comics that are somewhat involved with animation, but nonetheless, did not really emphasize their involvement in producing it. Sure, DC's huge video wall presented animation, but that has been their token gimmick for the past few years.

A Real Reason to Go
On the other hand, there were many animation screenings and panel discussions in the conference rooms upstairs. On Friday, Mulan's George Takei and director Tony Bancroft answered questions about the movie in an informative panel discussion. Later in the weekend, there were also discussions regarding animation, like: how and why blockbuster movies end up as cartoons on TV, how the character of Superman is reinterpreted for each type of media he is produced in, and how to create cartoons that appeal to both adults and children.

The bustling showroom floor at Comic-Con `98. Photo courtesy of Pete Nicholls.

There were a few screenings featuring previews of the new Voltron, Speed Racer 2000, War Planets, Fox Kids' Fall lineup, and Bill Plympton's movie, I Married a Strange Person. Also featured was a popular voice-over actor's workshop. On Saturday, Cartoon Network screened a reel of cartoons produced by the network that have never made it to broadcast. This was a big hit with fans and was one of the events that made the panel discussions and screenings really worthwhile. Professional storyboard artist Ira Sherak explained that he enjoys the panel discussions more than the exhibition hall, stating that without the panel discussions and screenings, Comic-Con International would be "just a big toy convention."