In this month’s “Digital Eye” column, Sony Pictures Imageworks’ Jenny Fulle discusses the recent advances in stereoscopic 3-D and how it may be bring the magic back to the theatrical experience.

Joe Strike gets the lowdown from The Wild’s producer Clint Goldman and director Steve "Spaz" Williams of Hoytyboy Pictures about bringing The Wild to the big screen via Walt Disney.

Mary Ann Skweres looks into an essential part of the animation production process — sound.

The Career Coach breaks down 10 dumb things to avoid sabotaging your career.

This month in the Animated Scene, Joseph Gilland looks at the facing extinction of hand-drawn special effects animation.

Alain Bielik unmasks the 3D tricks for blowing up London and other terrorist activity in the explosive political thriller, V For Vendetta.

Tara DiLullo talks with Tippett Studio’s Tom Schelesny about the transformation vfx that transpire in Disney’s The Shaggy Dog.

Tara DiLullo chats with Morgane Furio of Animal Logic about Aquamarine’s leg and waterworks.

In this month’s Animators Unearthed, Chris Robinson profiles the influences behind Theodore Ushev’s Tower Bawher.

Filmmakers are always raising the bar on what vfx artists need to create, especially in the area of photorealism. Janet Hetherington chats with professionals about the newest mandatory effect: global illumination.