Tom Sito, fresh from his gig as head of story on Disney's Pocohantas, details his experiences over the years trying to be politically correct.

Animation in Iceland is a relatively recent (and mostly hidden) phenomenon. Giannalberto Bendazzi provides an look at frame-by-frame filmmaking in the island nation.

Linda Simensky ruminates on the political and other consequences of changing jobs amidst today's boom times in the animation industry.

America's Hearst Entertainment and Venezuela's Cisneros Group are combining forces to form a new, 24-hour-a-day animation channel for Latin America. Harvey Deneroff reports.

The GiggleBone Gang is alive and well at Seattle-based Headbone Interactive. Judith Shane explains it all.

Crocadoo, a new series from Energee Animation being broadcast on Australia's Nine Network, is the latest evidence of a small but thriving animation industry. Karen Paterson details what's happening with Energee down under.

Cori Stern provides a test to see if you too can join the executive ranks at the animation company of your choice.

Jerry Beck recounts his fascination with anime and how his frustration with Hollywood's attitude towards it led him and Carl Macek to do something about it.

A brief tour by Fred Patten of Japanese animation from its beginnings by hobbyists in 1917 to its current status as one of the major producing countries in the world.

John Gosling looks at some of the differences between Western and Japanese animation, as well as speculating on the various cultural influences seen in anime.