Marisa Materna looks into the design work of Imaginary Forces, which has been a go to place lately when turning comicbook properties into feature films.

Henry Turner talks to famed visual designer Syd Mead about his influential work on Blade Runner, old school vs. digital tools and the luxurious SUD.

Joe Strike continues his talk with historian and filmmaker John Canemaker, who speaks about his many influences.

Beginning a three-part series, Joe Strike spoke with famed animation historian and filmmaker John Canemaker about his early career and how he got into animation.

Christopher Harz explores how Double Edge Digital provided 3D assistance to The Art of War: Battle of the Bulge.

In honor of the last Star Wars movie, Episode III — Revenge of the Sith, VFXWorld concludes its three-part series with an in-depth look at the making of the newest villain, the CG General Grievous.

This month's “Digital Eye” has Peter Plantec giving the down low info on the big visual effects to come in 2005.

Rick DeMott investigates the world of low budget genre films and discovers that visual effects are making it easier and cheaper to do independent productions.

In honor of the last Star Wars movie, Episode III — Revenge of the Sith, VFXWorld continues its three-part series with an in-depth look at ILM’s ramping up of digital environments.

Tim Miller talks about parlaying commercial success at Blur Studios into a flourishing shorts program.