POW! Stan Lee Reloaded

Rick DeMott talks to the invincible Stan Lee as he bounds out of the ashes of his old company to take on new cinematic adventures with his new studio.
Posted In | Magazines: AnimationWorld

The three films in preproduction are The Femizons, with writers Cary Solomon and Chuck Konzelman (TV movie Earth vs. the Spider), The Double Man, being developed by Training Day director Antoine Fuqua and Nightbird. In addition, POW! has signed a deal with Idiom Films to produce Forever Man, another superhero film featuring a unique twist on the avenging hero character. In July 2003, POW! signed a television production deal with DIC to produce TV series — the first being Stan Lee’s Secret Super Six. The show will follow a group of super-powered alien teens who come to Earth and meet Stan Lee, who teaches them what it is to be human. Moreover, Stan Lee announced at Comic-Con 2003 that he has signed on to create an animated superhero series with Playboy, turning Hugh Hefner into a superpowered leader of a group of crime-fighting playmates. Hef’s Superbunnies is currently in the development stage.

However, POW!’s most high-profile project to date has to be Stripperella. The tough-in-cheek superhero adventure spoof is one of three original animated series in Spike TV’s “The Strip.” Along with new episodes of Ren & Stimpy and Gary the Rat, Spike TV is using the popularity of animation with young adult males to lure those viewers to the newly revamped men’s network (formerly known as TNT and The New TNN).

So why did the king of comics want to deal with strippers? Lee said he wanted to do something different that was funny and exotic. He had worked on female heroines in his past like Minnie the Model, Nelly the Nurse and Heady of Hollywood. He thought the concept of a woman who strips by night and fights crime by later night was a humorous idea, and always imagined the character’s look to be similar to Pamela Anderson. Not just the creator, but also the business man, Lee knew that if he got Anderson involved, her large fan base would easily attract buyers.

When he approached Anderson, she loved the idea. She had recently stepped down from her V.I.P. series and wanted to start a more low-profile life, so she could raise her kids and recover from her hepatitis treatment. Anderson participates in the creative process as well. Besides voicing the lead character, she serves as creative consultant, adding such devices as diamond-studded glass-cutting nipples to the character’s repertoire.

The show’s animation has a Warner Bros. Batman/Superman style, courtesy of the artists at Nickelodeon animation, but the writing is satire all the way. The series skewers all the silly comic book conventions from the criminals who leave the hero behind in some elaborate death device, ultimately allowing the hero to escape via secret gadgets that just happen to be available when needed. The voice cast is excellent with the likes of Maurice LaMarche (Pinky and The Brain) and Tom Kenny (SpongeBob SquarePants). Even Lee lends his voice to a clueless old inventor named Jerry, who, in one episode, thinks that his 10-pound cell phone will revolutionize the modern world.

Lee says that POW! has no plans of venturing into the Internet. But he said that if there is a way to make money there, he has no problems trying it again. With the huge big screen success of Lee’s creations like Spider-Man, The Hulk, Daredevil and The X-Men; the mess of Stan Lee Media has in no way tarnished the legend of Stan the Man. In its early stages, POW! seems to be making steady strides forward. Stripperella is the company’s first venture and its first hit. The debut installment on June 26, 2003 brought in two million viewers, more than both of its lead-in “Strip” counterparts. It looks like Lee won’t let any type of evil villains ruin his reign at the top the superhero empire.

Rick DeMott is managing editor of Animation World Network. Previously, he served as the production coordinator for sound production house BadaBing BadaBoom Productions and animation firm Perky Pickle Studios. Prior to that position, he served as associate editor of AWN.







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