Making Film History: 1998's Animated Features
Year after
year, moviegoers across the world have expected at least one animated feature,
generally from the desk of Walt Disney and company, but 1998 has been the
first year in animated history where animation has become a prevalent medium
of filmmaking. Every June, Disney issues a brand new film, and within the
past few years the films have been tiresome enough to make an eight year-old
fall asleep. Nothing was improved in 1997 when Disney produced Hercules,
a bland portrayal of the ancient hero in a rather modern-day setting. But
in 1997, something different happened: Fox Entertainment released Anastasia
a direct mock-off of the recent Disney style. Although 1997 was a meek year
for animated feature films, it did represent the coming of a new revolution
for animation. After the runaway success of The Lion King, studios
like DreamWorks SKG quickly jumped onto the bandwagon to make their mark in
1998 and 1999. DreamWorks' Antz
was slated for release in March of 1999, months after the Thanksgiving release
of A Bug's Life.
However, the battle suddenly shifted course when Jeffrey Katzenberg, DreamWorks'
film leader, surprised the world with his announcement that the release date
of Antz had been moved up to October 2, 1998. This was a sly move on
DreamWorks' part, but as I look back on it -- and after seeing the rival A
Bug's Life -- it turned out to be a very clever maneuver. Hollywood was
now ready to release four animated features (Antz, A Bug's Life,
Rugrats, and The Prince of Egypt) in a matter of only three months,
a remarkable venture in film history.
The Record-Breaking Releases
On June 6th, Disney released Mulan,
their 36th animated feature. Based upon an old Chinese tale, Mulan is a girl
who joins the army disguised as a man to save her country. Disney spared nothing
in respect to tradition with furry side-kicks and politically-correct adult
jargon. With an array of mixed reviews and equitable box-office standings,
Mulan was quickly pushed aside and the `bug-bout' between DreamWorks
and Disney/Pixar started to erupt.
Antz was first to hit the silver screen. This
was the first time since Toy Story that we had seen a complete computer
animated film. Set within an anthill in New York City's Central Park, Antz
told the story of Z, a worker ant, who tries to fight the eternal conformity
of his society. DreamWorks marketed their film as an adult feature that would
be suitable for children as well, but even with the help of leading voice
actor, Woody Allen, Antz lacked the magical spark that cartoons typically
bring, and instead left a dark and claustrophobic impression. Antz
may have come first and relished more star-studded actors, but the suspiciously
similar A Bug's Life was far more alluring and emerged as a lush children's
classic. The idea of writing a movie solely based on insects is an attractive
offer, but Antz failed primarily due to character development. We never
really felt connected; whereas, A Bug's Life ventured into the entire
insect kingdom and provided the character depth that any good film should
have. A Bug's Life's sophisticated storyline only added to the remarkable
computer techniques that created some of the most magical scenes in animated
history, e.g. the rain shower scene and the final war against the grasshoppers.
Meanwhile, Nickelodeon produced their first full-length animated film: The
Rugrat's Movie. Based directly on the television program, the film
introduces a new member of the Pickles family, and in turn, leads us into
a number of childish adventures. As expected, the film did remarkably well.
























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