The Genuine Aardicle
In the 28 years since its humble beginnings (Peter Lord and David Sproxton made their first films with a super-8 camera), Bristol, U.K.-based Aardman Animations has become the most famous stop-motion animation studio in the world, with three Oscars under its belt and a 300-person payroll (including freelancers).
In his introduction to the 1998 book Creating
3D Animation: The Aardman Book of Filmmaking, Lord,
who is co-directing the studio's first feature film, says, "As
Aardman got bigger and more established, we discovered that we were
not just individuals whistling in the dark but part of a scattered
and formless community of filmmakers in Britain and worldwide. The
big pleasure for me is the feeling I get of being in a community
of artists." Features
Its "creator-driven," "artist-run" approach
has been a key to success for Aardman -- still a privately-owned
company. This approach has allowed the company to maintain its creative
integrity, while the success of properties like Wallace and Gromit
have afforded the liquidity it needs to remain selective about projects
and to maintain high production values. Here's a look at what Aardman
is doing in various areas:
The newest frontier for Aardman is the feature film arena, which they are tackling in a big way. Shooting in an additional facility (about 10 minutes away from the original studio) dedicated to feature work, Peter Lord and Nick Park are directing Chicken Run, an adventure tale about two chickens, Rocky (Mel Gibson) and Ginger (Julia Sawalha), trying to escape captivity from a farm in 1950s northern England. Production will wrap in March, and the film will be released by DreamWorks in U.S. theaters on June 23, 2000.
In October 1999, DreamWorks announced its
plan to distribute Aardman's next four features, a bold move considering
that box office numbers on Chicken Run are still months away.
What gives them such confidence in Aardman? "They do have a
pretty terrific track record," says David Lipman, a DreamWorks
production executive in charge of the Aardman films, noting that
the 60-minute rough cut of the movie so far has tested extremely
well. "They are supremely talented storytellers," adds
Lipman. The deal creates a stop-motion animation arm for DreamWorks,
complementing its two other feature animation units: CGI films like
Shrek being produced at PDI and the traditional films like
The Road to El Dorado being created in-house at DreamWorks
Feature Animation.

























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