Alain Bielik uncovers how Inkheart brings The Wizard of Oz and other books to life with crafty CG.

The famed Japanese illustrator divulges how his first movie design experience on Coraline has impacted his style.

In this month's issue of "The Digital Eye," The Tale of Despereaux DP Brad Blackbourn describes how he traveled halfway around the world to work on the Flemish-inspired, painterly film.

The Academy held its annual VFX Bakeoff on Thursday, with Thomas J. McLean providing the full report with exclusive breakdown clips!

MK12 discusses going Bond with the iconic title sequence and other graphical goodies and with exclusive clip.

Entity FX makes the most of superhero action in the show's eighth season.

With 24 relocating to D.C. for its seventh season, Tara Bennett goes undercover to find out how they are adding more vfx to their arsenal.

Asylum's Mitchell Drain tells Silas Lesnick about achieving the vfx scares of The Unborn.

Oscar nominee David Fincher gets in the right headspace to talk about head replacement on Benjamin Button and the state of VFX.

Bill Desowitz uncovers the curious vfx case of Benjamin Button in this in-depth report with Digital Domain, Asylum, Hydraulx, Lola VFX and Matte World Digital.