The editors report on the first annual Animation & Special Effects Expo in Los Angeles.

Steve Hulett of the Motion Picture Screen Cartoonists' Union (MPSC Local 839) reviews animation wages of the past, present and future

Boom or eventual bust? We hear from headhunters around the world.

Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S.

Jerry Hibbert, drawing from his own experience, provides some thoughts on the need for production companies to embrace change.

Janet Benn provides a case study of the role played by Animation Director Yvette Kaplan on Beavis and Butt-head Do America, while saying more than a little about who Yvette is.

A international selection of filmmakers, executives and others share their thoughts about why animators should consider sending their works to festivals.

Judith Rubin surveys what's going on in animated ridefilms at theme parks and other venues around the world and who's making them.

The Dutch film industry's most ambitious production during World War II was an anti-Semitic sequel to Reynard the Fox. Egbert Barten and Gerard Groeneveld detail the fascinating story behind the film's production.

A look at the making of the first TV special based on an Olympic games mascot.