Mitch Suskin and his vfx team brought a greater sense of reality to the fantasy world of Lost this past season.

Terrence Masson discusses how he's a vfx supervisor in reverse on UFO Hunters.

Read how ILM was tasked with putting Star Trek on vfx steroids for J.J. Abrams' bold re-imagining.

Mark Simon is very vocal about the importance of achieving great voice-over work.

The origin of Logan becoming Wolverine required a myriad of vfx by 17 vendors, and here are the highlights.

Part art film, part sci-fi adventure, Battle for Terra director Aristomenis Tsirbas describes the challenges of balancing both.

Lots of sci-fi, the return of a beloved franchise and a wizard named Harry and plenty of robots are part of our summer sneak peek.

London-based Men-From-Mars cranked out 1,454 shots with only a team of 30 for Mutant Chronicles. We find out how they did it.

A mere month after the end of Battlestar Galactica, Universal offers the unrated pilot to prequel Caprica on DVD, and Tara Bennett gets the scoop from VFX Supervisor Gary Hutzel.

Alain Bielik gets amped up with Crank: High Voltage VFX Supervisor James McQuaide to talk about the work Duran Duboi and LOOK Effects contributed to the film.