Mind Your Business: Uncle Creepy is BAAAACK!

Posted In | Magazines: AnimationWorld
Mark Simon reminisces about Creepy Magazine and Uncle Creepy.

Dykstra Talks Inglourious Basterds

Posted In | Magazines: VFXWorld
VFX guru John Dykstra discusses what it was like working with Quentin Tarantino on his wild World War II opus, which stars Brad Pitt and his merry band of Nazi hunters.

G.I. Joe: Rising to a New Level of Techno VFX

Posted In | Magazines: VFXWorld
Boyd Shermis explains the bar-raising exploits of G.I. Joe: The Rise of Cobra in collaboration with Digital Domain, Prime Focus, CIS Hollywood and MPC.

District 9: Bringing Back '80s Sci-Fi

Posted In | Magazines: VFXWorld
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VFXWorld gets the lowdown on the summer sleeper hit, District 9, from Image Engine, The Embassy and Weta Digital.

The Time Traveler's Wife: Moving in Style

Posted In | Magazines: VFXWorld
An artsy Ghost? David Jones tells how The Time Traveler's Wife adds a new visual twist to the genre.

Miyazaki Comes to Town -- Part 2

Posted In | Magazines: AnimationWorld
We offer some highlights from "The Marc Davis Celebration of Animation: Hayao Miyazaki" last month at The Academy of Motion Picture Arts and Sciences.

Glenn Martin, DDS: It's 'Claytastic!'

Posted In | Magazines: AnimationWorld | Site Categories: Stop-Motion
All-new episodes of the offbeat comedy about a dentist and his family hitting the road in their RV air Tuesday, Wednesday and Thursday. The series then moves to its regular time slot next Monday (also at 8:00 p.m.).

Neill Blomkamp Talks District 9

Posted In | Magazines: VFXWorld | Site Categories: People
The hot new director of District 9 chats exclusively about his feature debut, VFX, sci-fi and Peter Jackson.

Miyazaki Comes to Town -- Part 1

Posted In | Magazines: AnimationWorld
With rare stops in California, Miyazaki talked about Ponyo and his legendary career in animation, and AWN captures the highlights in the first of two parts.

The Hunt for Gollum VFX

Posted In | Magazines: VFXWorld
Brett Frame, co-owner of Arizona-based FlintFrame, tells us all about their post-production work on the hot 40-minute short, The Hunt for Gollum.