AWN goes deep into the animation challenges of Bolt, the first Disney animated feature produced under the new John Lasseter/Ed Catmull regime.

Chris Perna, lead artist at Epic Games, tells Peter Rizkalla how Gears of War 2 raises the bar with more graphical richness and complex animation.

South Africa and Egypt lead the way, but quality work can be found in a number of African countries, as Karen Raugust reports.

AWN chats with Pixar vet Angus MacLane about his new short BURN•E, available today with the DVD/Blu-ray release of WALL•E.

Crafting strong narrative in student animation is often overlooked, and Heather Kenyon makes the case for several top programs that have excelled in recent years.

VFXWorld talks exclusively with Bob Osher and Hannah Minghella, the new heads of Sony Pictures Digital Prods., about their artist-centric approach to vfx and animation.

Janet Hetherington digs up some secrets from creator Jay Stephens about The Secret Saturdays, the new comedy-action animated series airing on Cartoon Network.

For the recent Low vs. Diamonds music video, Heart Attack, HAL helps achieve gradual yet detailed aging during a timeless yet intimate lovers' kiss.

The producers and creators of the new French animated feature talk about the transformation of six graphic visions into one artistic frightfest.

Now that Sanctuary has been picked up by SCI FI Channel, the virtual environments hand creature work have been cranked up by Anthem Visual Effects. Tara Bennett finds out how.