Animalia and the Art of Talking Animals

Janet Hetherington looks at how Animalia brings CG talking animals -- ones that teach children language arts and the power of words -- to TV screens around the world.
Posted In | Magazines: AnimationWorld

Talking animals have been a mainstay of animation since its early days. From the leader of the club (Walt Disney's Mickey Mouse) to a wascally wabbit (Warner Bros.' Bugs Bunny) to the current crop of CG animated creatures -- including a gourmand rat (Disney/Pixar's Ratatouille) and many, many penguins (Dreamworks' Madagascar, Warner Bros.' Happy Feet and Sony's Surf's Up) -- animated animals seem to have a lot to say.

While a wisecracking Kung Fu Panda (DreamWorks) is kicking butt at the box office, another group of CG talking animals has been entertaining and educating children around the world about the power of words -- in the TV series Animalia.

"Most kids love animals -- even if they don't have any pets. So when animals on a large or small screen are talking and telling jokes, it's what kids expect animals to do," says Bruce Johnson, president and CEO, PorchLight Ent., and an executive producer of Animalia.

Animalia is an international production, headquartered in Australia and produced by Animalia Prods. -- a joint venture of executive producers Ewan Burnett, Graeme Base and Murray Pope -- in association with L.A.-based PorchLight. In addition to PorchLight's Johnson, story editor and lead writer Tom Ruegger also shares exec producer credit.

The HD animated show, based on Graeme Base's best-selling alphabet book with fanciful illustrations of animals, made its debut in four major English-speaking territories in fall 2007/spring 2008. Animalia premiered on Network TEN in Australia, on BBC-1 in the U.K., CBC in Canada, and PBS KIDS GO! in the U.S.

Ewan Burnett, president of Burberry Productions in Australia, commented that Animalia is the most ambitious children's television series ever produced in that country.

"Animalia is 40 half-hours of 3D animation at a level of quality not seen in Australia, and possibly the world, before," Burnett says. "As such, it was a hugely ambitious project to produce -- especially in Australia, where 3D television series pipelines did not exist to handle this quantity and quality of work. We had to implement a process of substantial infrastructure development and crew training and, with our principal animation partner Photon VFX, and our second animation house Iloura Digital Pictures, we imported talent from Canada, New Zealand, Europe, Argentina and elsewhere. As a result, the production has left a considerably enhanced capacity in Australia to undertake productions of this nature in the future."

"Graeme Base's Animalia is an iconic book property with a completely unique, whimsical art style," notes PorchLight's Johnson. "I've been a fan of the book for years, and I always felt these characters should be brought to life in animation. But because of the style, it absolutely had to be done in spectacular CG animation. Fortunately, Graeme, Ewan Burnett and Murray Pope felt the same way and were able to put together an amazing team of artists and animators in Australia. And our anchor network, CBBC, was supportive of doing a series in this style from the beginning."

Zebras in Zeppelins
The series features two contemporary kids, Alex and Zoe, who are mysteriously transported to a new land -- a sophisticated, magical world called Animalia. This land is populated with talking animals drawn from Base's book, including zebras in zeppelins, hogs on bikes, media mice delivering news bulletins on blue butterflies' wings, dragons, unicorns and even elephants with their own eatery.

Leading characters include the self-deprecating Livingstone T. Lion; teenage rock-and-roll loving G'bubu Gorilla; Allegra, a prima donna alligator; and the small but heroic iguana Iggy. There are troublemakers too, such as the scheming tiger Tyrannicus.

Because it airs on educational channels like PBS, Animalia carries positive social messages and promotes character traits like cooperation, persistence and creativity, as well as literacy. Each episode depicts one or more key communication skills such as language use, writing, speaking, listening, critical thinking and online searching and research.







Comments


Well done aritcle that. I'll make sure to use it wisely.

Maud (not verified) | Fri, 08/19/2011 - 08:18 | Permalink

It's much eaiesr to understand when you put it that way!

Jenibelle (not verified) | Thu, 08/18/2011 - 00:12 | Permalink
TALKING ANIMALS-40s TALKING ANIMALS-50s TALKING ANIMALS-60s TALKING ANIMALS70s TALKING ANIMALS 80s TALKING ANIMALS -90s TALKING ANIMALS- 2000s AND TALKING ANIMALS 2008. REALIZE FOLKS,THATS HOW MANY DECADES-APPROXIMATLY SINCE ALL THIS 'IDEA' BY DISNEY WAS LAUNCHED.SOUNDS REDUNDANT,DOESN'T IT? SO THE TOON GENIUSES DECIDE TO TAKE THIS CONCEPT TO AUSTRALIA,AS THEY 'IMAGINE' AUSSIES-KIDS ARE SO FAR-DOWNUNDER-ISOLATED,AND DUMBED-DOWN, THAT THEY NEVER HEARD OF 'TALKING ANIMALS' TOONS? 'G-DAY' AUSTRALIA,YOU'VE JUST BEEN 'HAD' BY THE COORPRIATE TOON MONOPLIES,NOW INVADING YOUR BEAUTIFUL LAND. FAST FORWARD TO THE FUTURE CARTOON CONCEPTS,WITHOUT 'TALKING ANIMALS': A VERY CLEVER / GENIUS CARTOONIST,OUTSIDE OF THE BIG CORPORATION-MONOPLIES OF'INFLUENCES'....RE' 'TALKING ANIMALS',DECIDES TO LAUNCH AN ENTIIRELY NEW-EDUCATIONAL AND ENTERTAINING CONCEPT,USING 'SILICA BASED' CHARACTERS,MADE OF STONE!! OMG! THIS DUDE,DECIDES TO USE ROVER LANDINGS,+ THE CURRENT MARS -NASA-EVIDENCE,OF BILLIONS OF 'HITS' ON NASA,SINCE IT LAUNCHED AN NET SITE,FOR MARS FANS-RE NEW DISCOVERIES,YEARS AGO,AND EVEN THE ALLEDGED' ONES,WHICH MILLIONS OF MARS FANS FEEL NASA IS CENSORING,RE- ACTUAL PYRAMIDS-FACES-TUBES-BUILDINGS-ETC. OMG! THIS CARTOONIST LAUNCHES A CLEVER WEB SITE,FROM CONGRESSIONAL GRANT MONIES,AND MAKES ''FUN' OF NASA. LIKE THIS: THE PHOENIX LANDER IS SITTING THERE,WHILST SOME MARZ SILICA RESIDENTS,ARE NOW DECIDING WHAT TO DO WITH THIS 'ALIEN CARFT'. THEIR FIRST OBSERVATION,FROM OBSERVING THE FORMER 'ROVER' IS THAT THIS CRAFT IS NOT 'MOBILE'LIKE THE ROVERS, AND WHY DIDN''T THEY PUT SOME WHEELS ON IT,SO THE SCOOP COULD 'PULL' IT ALONG FOR MORE DIGGING ON MARZ-ICE? SO, IT BEING STATIONARY, ALL THEY WOULD-NEED DO IS WARM THE ICE (USING SOLAR MIRRORS)AND... THE 'PHOENIX' , SETTING-IMMOBILE, ON THE LANDING SITE, TURNS TO QUICKSAND-MUD AND SLOWLY SINKS INTO THE MELTED PERMAFROST,CRAFT GONE! OMG! ANYONE WITH A BRAIN ,KNOWS THAT THERE ARE A MINERAL FORMATION 'BLUEBERRIES' ON MARS,DISCOVERED BY THE ROVERS,AND THESE ARE EVIDENCE OF 'WATER' VIA GEOLOGICAL ACTIONS,VERY EDUCATIONAL.JUST LIKE THE 'TALKING ANIMALS' CONCEPT,BUT MUCH MORE IN THE FUTURE,AS WE EVENTUALLY LAND HUMANS, ON MARS!! OMG! THIS CARTOONIST-OF-THE-FUTURE- THEN DECIDES TO USE THESE 'BLUEBERRIES' AS A PLOY: THAT BEING A MARZ-SILICA' CHARACTER WHO IS A 'BLUEBERRY-WINE' WHINO ON MARZ,AND DECIDES TO 'WIPE THE SOLAR PANNELS CLEAN-OCCASIONALY' SO THE ROVER CAN KEEP ON WORKING.ASIDE,ALL HE WANTED WAS A 'TIP' OF MORE WINE,SO HE COULD KEEP ON DRINKING,BUT THE ROVERS NEVER DELIIVERED,NO 'BLUEBERRY WIINE' ON BOARD. OMG! COULD THIS CARTOONIST OF THE FUTURE,BE EXACTLY-RIGHT...FOR NEW AND ORIGIONAL CARTOON CHARACTERS,MADE OF SILICA? OMG.....AND WHEN-WILL THIS KIND OF ARTICLES ,LAUDING 'TALKING ANIMALS' GET BURIED,LIKE THE MARS PHOENIX,BY SILICA ALIENS,AS EARTHLINGS RID THEMSELVES OF 'TALKING ANIMALS' TOONS. CHEERZ FROM DAWK
DAWK Mc Farlane (not verified) | Tue, 06/17/2008 - 00:00 | Permalink

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