The Animation Pimp: Just Like Us?

Whether ants, ogres or woolly mammoths, they all act like us — North Americans. The Pimp questions just how tolerant we've grown; how far have we really come?
Posted In | Columns: The Animation Pimp

Monthly provocative, drunken, idiotic ramblings from the North…

In general, I don't like cops, army folk, bible swallowers, or anyone whose primary function in life is to make, sleep, eat, dream, or shit, money. I don't like fools, even when I'm being foolish. I don't like elitist/pretentious/holier than thou fugs especially when I'm being a self-righteous prick. I even lose it with those close to me. The dog, kid, wife, and EXSPECIALLY, the woman I emerged from. In general people who aren't doing something for me at the moment I want something done for me. In short, I can be a pretty self-centered intolerant jerk. And that's why I'm the ideal person to spot those same traits in others.

I dunno when it was, a few months ago maybe, but I noticed a lot of talk about Cartoon Network not showing some old 'racist' Warner cartoons. Frankly, I didn't see what all the fuss was about. Sure, the early cartoons are embarrassing in their reduction of blacks to the level of minstrel monkeys and Asians to slanting eyed rice eating kamikaze diving nips and coolies. And some have argued that the same can be said of Scots and Irish, etc...and sure, that's true, but how many Scots and Irish were killed because of the colour of their skin? (Oh and just recently Porky Pig and Mr. Magoo were the target of the crusaders of tolerance.) Anyway...where was I? Oh...yeah...so...I thought...why all the fuss? There's just as much intolerance in films today. Yes, that's what I said. Sure you (not me) like to think we're the most tolerant people around. We've even got lots o' fancy words: African American, Native American, Mentally Challenged, Visually Challenged and Aurally Challenged. They all sound so...umm...harmless, charming even. But have things really changed? Does the fact that a man says a person is mentally challenged really change the fact that inside he stills sees a retard? These words, with admittedly good intentions, are often little more than another sheet cloaking deeply ingrained hatreds (which we've seen front and centre over the last 8-9 months). Like it or not, everything we experience/perceive is shaped by our culture, and at times it's so deep and so 'normal' or common, that we're hardly aware of it.

Let's take a few seemingly mundane examples. I was watching this piece of shit called Trumpet of The Swan about an annoying family of white Swans who are supposedly "just like us." They have the same goals, fears and concerns as any 'normal' person (despite their beaks and feathers). Now...what's wrong with that, you ask? Well...the problem, friend, is that these apparent gestures of tolerance ("Sometimes being different helps you find your voice," is the film's catch phrase) are little more than superficial sheets of sameness that Hollywood, in particular, throws over almost every race and breed in film. And it's not just Swan, take a gander (heh...heh...) at Shrek, Bug's Life, Antz, Ice Age. "But, they're just animals?" you say. Sure, but whether they're ants, ogres or woolly mammoths, they are living beings; they have verbal and non-verbal languages, habits, perceptions of time/space that are unique to their ilk. They represent 'other' or 'difference' and yet outside of say, Microcosmos, animals are just mouthpieces for Americans. Take Antz and A Bug's Life, for example (which are little more than outdated anti-socialist films), all the characters are reduced to common 'human' types: the neurotic hero, the love interest and the PURE villain. Their social lives involve drinking, dancing, loving and schooling, JUST LIKE US. The whole environment is really just a microcosm of someone's condensed idea of North American society. And sure...ok...this is nothing new...anthropomorphism has been rampant in animation since the beginning (to the point where Starewich was using live bugs to act out human trials). The USE of animals is not the issue here, but rather, HOW they're used.







Comments


Re: Chris Robinson. This man clearly has way too much free time and way too much alcohol in his blood. I haven't heard such drivel since my Philosophy class at Cornell. Get a real job.
Stan Man (not verified) | Fri, 08/23/2002 - 00:00 | Permalink
Re.Like Us? comments: Hey Schmidt! Ya schmuck! Does the column head give ya a clue? Read the whole fucking thing before ya run off at yer keyboard! Juvenile? Yeah, i'd say ya are. Ms Pam- ya may be an up-and-coming writer, but ya gotta know the diff 'tween idle/idol! Otherwise, who's gonna take ya serious? Or do ya wanna be? Yer other comments're right on! Danielle- from yer missive, ya gotta be cool!But ya want "answers"...as if they're available in a prescription? With yer brain in gear, tell/show us old farts...we have no "answers" to satisfy everyone. Only more queries. Neil- from where i sit, the big TO thinks it's just another H'wood, only canuck version! But y're right about them features, long as ya include our own. Chris- forget about juvenile comments from them's as can't read past the point they get pist, and then pretend to know what ya meant, w/o actually reading it. And then blame AWN for yer take, and not his own? Like the H'wood mentality of, shit, we can't do that! Ain't nobody done it afore! What would their audience say if they did something original? Instead, they give ya a rehash of crap that was stale the first time around? Ya don't need me defending ya...just venting! Ya do whatcha do well...but keep out of the wet spot! skoal t
tony the tiger (not verified) | Fri, 06/21/2002 - 00:00 | Permalink
If the author had used more mature language, the insight attempted possibly could have been effectively addressed. I read the first part then stopped wasting my time. I'm surprised that AWN publishes such juvenile articles.
Joe Schmidt (not verified) | Mon, 06/17/2002 - 00:00 | Permalink
Neil... You ask me in essence: What do you expect? I expect better. It might be common knowledge to you, but how many viewers are really conscious of the quiet, subtle gestures of intolerance and cultural arrogance going on in these films? As long as it's there, it needs to be discussed. Solutions? Be aware of simple thing: nothing is natural, everything is cultural
Animation Pimp (not verified) | Mon, 06/10/2002 - 00:00 | Permalink
I just want to congratulate the Pimp on writing an article that contains so much of what I've often thought of myself. He has exposed some of the biggest problems with Hollywood in a highly entertaining, and very true, manner. Now I wonder what the solution will be to this long standing problem. I have been puzzling it for some time, perhaps someone has an idea?
Danielle Heitmuller (not verified) | Fri, 06/07/2002 - 00:00 | Permalink
North American cartoons, especially feature films, are condescending, homogenizing, brain-dead peices of semi-pretty looking claptrap told with a single world-view in mind, based on what a group of socially-myopic producers "think" the audience wants to see. Suddenly, this is news?!? The whole problem boils down to critical mass. When you've got as many people and as much money involved as you do with your average feature-length animated film or even a t.v. series, mass-audience appeal is gonna colour everything you do. For massive productions, this is an automatic lost cause. Again, no big news. As cameras, 3d software, and pre/post production tools continue to get better, cheaper and easier to use, it's only a matter of time before we see more independent feature-length animated films and original t.v. concepts...hey, what're Barry Arynovsky and David Falcon workin' on...d'y'know? In the meantime, that there Gorillaz feature should tide you over. Hang on, rant away, and look to the indies, baby. Salvation awaits.
Neil LaPointe (not verified) | Fri, 06/07/2002 - 00:00 | Permalink

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