The Animation Pimp: Attack of the Clones
This leads me to my biggest beef. During this particular visit I heard more than one (i.e., a few) student say in a real disturbing desperate-for-anything If I say it, itll come true manner that they were just going to be a character animator or a modeller/renderer. There was NO passion in their voices. It was like theyd resigned themselves to being a civil servant or an information systems technician. In each case, they begged off worrying about any other aspect of their work. They didnt think the other stuff mattered. Sad, sad, sad.
OK I know that the priority of a college is to prepare a student for a career, to get them a job. Its about training first and foremost. But isn't even that approach a bit sloppy? Why settle for being a one-dimensional schmuck? Its like hockey. No one I know ever dreamed of being a fourth liner. I had no visions of killing penalties or clogging up zones or becoming a low scoring defensive defense man. I doubt anyone ever did. We all wanted to be the superstars; the guys who scored the goals, who led the team, who could do ANYTHING asked of them whether it was man the powerplay, take an important draw, start fights or kill penalties. You wanted to be THE guy who could do whatever the coach called upon him to do. Not a single third or fourth line "role" player ever DREAMED of having that role.
So, I cannot understand these kids who apathetically dream of a life rendering. I cant even imagine that in the ol days anyone dreamed of being an ink-and-painter. Heck
should ANYONE under the age of 30 just pin the tale and say, Thats it, thats me for the next 50 years?
Its a weird time and there are always strange circumstances. Some schools dont give a damn as long as the check cashes. That means that they accept virtually anyone who applies (and thats not a bad thing either). Finding qualified/experienced teachers is another problem especially in areas where salaries are low. Sometimes you dont get the most inspired teachers. They come to school, do their job, and leave. But hey
sometimes you might have the greatest teacher right under your nose, but youre in such a seemingly apocalyptic phase that youre too angry, stupid, or drunk to recognize it. Maybe post-secondary studies should only start at 25 or 30. Spend that period traveling, living, fucking (men and women)
just doin STUFF (and no I dont mean knock up a gal and get married).
What do all these grades and reviews mean anyway? These kids I met were so stressed out over these, in truth, rather well-intended but random/limited judgements. Its like Ive said before about festivals. Just because one festival rejects (and even then, maybe in another year that festival would have accepted your work) yours doesnt mean another will. School can be pretty meaningless in the long run. I remember how important it was for me initially when I could state that I had a B.A. on my CV, now I dont really care.
HOWEVER
that being said
even in the darkest, most decadent and seemingly pointless Pimp rants, I can still VERY CLEARLY see universitys influence on me. It just sort of snuck up on me
like
what lame analogy can I use: a seed blossomed into a flower? A grape into a wine? Ugh. Umm... OK... how about
schools kinda like a hard-on; it can take time, but when it comes, its well worth that wait.
Lets not end so negatively. You didnt ask, but here are my picks for, not the best (what does that mean?), the most routinely interesting, provocative and original animation schools around. No particular order:
Royal College of Art (U.K.)
(Why is it that with two strong schools, Belgium really doesnt seem to have much of an animation community?)
Turku Arts Academy (Finland)
On the horizon?
Honorable Mention:
Chris Robinson is but a man. His hobbies include squirrel taunting, goat thumping, meat dancing and elderly peeping. You can find the results at http://asifa.net/robinson
La Cambre (Belgium)
KASK (Belgium)
Rhode Island School of Design (USA)
National Film and Television School (U.K.)
California Institute of the Arts (USA)
Supinfocom (France)
La Poudriere, Ecole du Film dAnimation (France)
Emily Carr School of Art and Design (Canada)























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