The Animation Pimp: Attack of the Clones

Class is in, and the Pimp is teaching Animation 101 to students and schools that churn out cloned work.
Posted In | Magazines: AnimationWorld | Columns: The Animation Pimp

This leads me to my biggest beef. During this particular visit I heard more than one (i.e., a few) student say in a real disturbing desperate-for-anything — “If I say it, it’ll come true” manner that they were just going to be a character animator or a modeller/renderer. There was NO passion in their voices. It was like they’d resigned themselves to being a civil servant or an information systems technician. In each case, they begged off worrying about any other aspect of their work. They didn’t think the other stuff mattered. Sad, sad, sad.

OK — I know that the priority of a college is to prepare a student for a career, to get them a job. It’s about training first and foremost. But isn't even that approach a bit sloppy? Why settle for being a one-dimensional schmuck? It’s like hockey. No one I know ever dreamed of being a fourth liner. I had no visions of killing penalties or clogging up zones or becoming a low scoring defensive defense man. I doubt anyone ever did. We all wanted to be the superstars; the guys who scored the goals, who led the team, who could do ANYTHING asked of them whether it was man the powerplay, take an important draw, start fights or kill penalties. You wanted to be THE guy who could do whatever the coach called upon him to do. Not a single third or fourth line "role" player ever DREAMED of having that role.

So, I cannot understand these kids who apathetically dream of a life rendering. I can’t even imagine that in the ol’ days anyone dreamed of being an ink-and-painter. Heck… should ANYONE under the age of 30 just pin the tale and say, ‘That’s it, that’s me for the next 50 years?’

It’s a weird time and there are always strange circumstances. Some schools don’t give a damn as long as the check cashes. That means that they accept virtually anyone who applies (and that’s not a bad thing either). Finding qualified/experienced teachers is another problem especially in areas where salaries are low. Sometimes you don’t get the most inspired teachers. They come to school, do their job, and leave. But hey… sometimes you might have the greatest teacher right under your nose, but you’re in such a seemingly apocalyptic phase that you’re too angry, stupid, or drunk to recognize it. Maybe post-secondary studies should only start at 25 or 30. Spend that period traveling, living, fucking (men and women)… just doin’ STUFF (and no I don’t mean knock up a gal and get married).

What do all these grades and reviews mean anyway? These kids I met were so stressed out over these, in truth, rather well-intended but random/limited judgements. It’s like I’ve said before about festivals. Just because one festival rejects (and even then, maybe in another year that festival would have accepted your work) yours doesn’t mean another will. School can be pretty meaningless in the long run. I remember how important it was for me initially when I could state that I had a B.A. on my CV, now I don’t really care.

HOWEVER… that being said… even in the darkest, most decadent and seemingly pointless Pimp rants, I can still VERY CLEARLY see university’s influence on me. It just sort of snuck up on me… like… what lame analogy can I use: a seed blossomed into a flower? A grape into a wine? Ugh. Umm... OK... how about… school’s kinda like a hard-on; it can take time, but when it comes, it’s well worth that wait.

Let’s not end so negatively. You didn’t ask, but here are my picks for, not the best (what does that mean?), the most routinely interesting, provocative and original animation schools around. No particular order:

Royal College of Art (U.K.)
La Cambre (Belgium)
KASK (Belgium)

(Why is it that with two strong schools, Belgium really doesn’t seem to have much of an animation community?)

Turku Arts Academy (Finland)
Rhode Island School of Design (USA)
National Film and Television School (U.K.)
California Institute of the Arts (USA)
Supinfocom (France)

On the horizon?
La Poudriere, Ecole du Film d’Animation (France)

Honorable Mention:
Emily Carr School of Art and Design (Canada)

Chris Robinson is but a man. His hobbies include squirrel taunting, goat thumping, meat dancing and elderly peeping. You can find the results at http://asifa.net/robinson







Comments


"Why settle for being a one-dimensional schmuck? I had no visions of...becoming a low scoring defensive defense man. I doubt anyone ever did. We all wanted to be the superstars..." I'm very glad to hear someone else say this! I go to school with a lot of artists who, possibly because of lack of maturity coupled with a heaping shiny load of self-doubt, tell everyone how they just would be happy having a job. They don't want to be groundbreakers, they don't want to express their own ideas, they just want to work as paper-pushers in a studio. It's sad, and the whole "i'm only good enough to ink things" attitude is horribly contagious. Everybody has dreams of being the "big guys" when they're little, but no one who ever made it in anything did it by assuming they were going to spend the rest of their life at some menial job. Good on ya, animation pimp! You speak the truth :)
Weezl (not verified) | Sat, 08/23/2003 - 00:00 | Permalink
To Dan B: Start Listening
animation pimp (not verified) | Fri, 08/01/2003 - 00:00 | Permalink
Stop yelling.
Dan B (not verified) | Mon, 07/28/2003 - 00:00 | Permalink
To Gerard, 1. Sorry about the typos. I do play around a lot with syntax quite consciously (in case some readers didn't know that)...BUT there are times when the mistakes are just honest to goodness fug ups. 2. In Canada, we generally call colleges, 'community colleges' and their main function is to give kids the tools to get a job. They really are, primarily, training schools. I pulled an American there and assumed that everyone was like us! ha ha. 3. When I talked about tightening enrollment standards I was--and maybe it wasn't obvious enough--referring to the weaker schools, the schools who continually churn out (as I'm seeing- YET AGAIN- right now during the Ottawa International Student Animation Festival selection process) conceptually and/or technically uninspiring work. Clearly, top schools like UCLA, RCA, La Cambre, La Poudriere, Supinfcom, ENSAD--as examples--are going to be tougher to get into. Chris
Animation Pimp (not verified) | Mon, 07/14/2003 - 00:00 | Permalink
The Pimp wrote: "I know that the priority of a college is to prepare a student for a career, to get them a job. It’s about training first and foremost." That is a horribly uneducated statement to make. If you think that's the purpose of college, you are way off kilter! Colleges are NOT training schools. They are designed to teach how to think analytically. Lots of kids are failing in that regard these days. Any college that adheres to a training regiment should be avoided at all costs, and its acredation should be revoked. Also, you suggest that getting into a program is easy as long as your check clears. Having toured through most of the MFA Animation programs in the country, at great schools like USC and UCLA, it is almost easier for Harvard Medical School to accept a student than USC's Animation program. I do not think 4% acceptance rates are something to scoff at. Otherwise, it's a well-written sound off (plagued by several typos).
Gerard Raiti (not verified) | Mon, 07/14/2003 - 00:00 | Permalink
great article as usual!
christy karacas (not verified) | Mon, 07/14/2003 - 00:00 | Permalink
hey chris - you win the kewpie doll! could not have put it better myself. if you want "real life motion", get a movie camera and forget about animation. for animatiors to copy "life" is stupid, it's ANIMATION (make believe life) and anything goes, the "crazier" the better. so what if your "walk" is not true to "life"? it does follow "animated life". so, carry on. as for music, just because it gets "played", does not make it "good", or even "music".... yeah, a good soundtrack can enhance the visuals, same as a good puchline can enhance the cartoon... but the best graphics all stand on their own. only original music, and soundtracks, enhance animation, as you point out. otherwise one is compartmentalized by the "music" one's animating to, and loses the flow of the tale being told. and yeah, youngsters need fire and passion in their animations (as do old fogies like me), and i think you're on to something about keeping them away from animation software til they've learned to get their hands "dirty"... mebe by age 60? keep telling it like it is... even if it's only the few who care.
tony saliste (not verified) | Sun, 07/13/2003 - 00:00 | Permalink
Great describtion of the problem, but I think nothing can really change until something happens with the source of this problem - the animation industry standards. Animation schools usually are trying to train a work force according to the employment requirements, in the shortest time possible and (being realistic)aiming mostly at entry level positions. Although normally claimed otherwise, there is little demand for real creativity, the majority of the companies are already quite happy with their creative level, and fresh imagination is not what they need for carrying on with their on-going projects. Since the schools are pretty frank about their objectives, they either attract students who are fine with this perspective, or the ones who are not so fine but don't see much of an alternative and try to fit in. For deciding to start some original experiment not only one has to have the vision and trust in oneself, but also to accept the idea that the result won't be financially rewarding in any way, short or long term, which (considering the amount of work and time needed for making animation) significantly reduces the chance of that happenning (unless you are a hero, or already financially established, or a poverty enthusiast). If there are companies that look for imagination and originality, they should make this very well known and clear, or if any alternative career path exists it should be very well advertised. Only with demand the creativity of new animators can rise.
Anik (not verified) | Sat, 07/12/2003 - 00:00 | Permalink

Post new comment

The content of this field is kept private and will not be shown publicly.
  • Web page addresses and e-mail addresses turn into links automatically.
  • Allowed HTML tags: <a> <em> <strong> <cite> <code> <ul> <ol> <li> <dl> <dt> <dd>
  • Lines and paragraphs break automatically.
  • Use <!--pagebreak--> to create page breaks.

More information about formatting options

CAPTCHA
This question is for testing whether you are a human visitor and to prevent automated spam submissions.